All Pro Tools systems now come with a bundle of extra software: Reason Adapted, Live Digidesign Edition, Amplitube LE, Sampletank SE and T-Racks EQ. Here we use Live's powerful time-warping features to run tempo-shifted vocals alongside a remix.
Many users probably never venture into Pro Tools's Calibration Mode, but you could be compromising the sound quality of your Pro Tools rig and external gear if you don't think about lining up your analogue connections correctly.
Last month we looked at using Pro Tools' Beat Detective tool for chopping up and quantising drum recordings. Now it's time to explore the other side of the coin: extracting and using the tempo and timing of a recording.
The subject of clocking in digital audio systems is often a hazy area of understanding among us users, perhaps because we've been turned off by propellerheads who love arguing about it. Here's what you need to know in Pro Tools from a practical angle.
The major audio and MIDI recording applications are slowly migrating to Mac OS X, and the latest to arrive is Digidesign's Pro Tools. The upgrade also introduces powerful new project management features, Groove Template functionality and a more powerful LE version.
We are used to the idea of using fader boxes and other MIDI controllers to manipulate our music software, but now Serato want to get us using our turntables to scratch digital audio. Can it possibly work?
Pro Tools is about to get Rocket Network compatibility, facilitating long-distance collaboration between Digi users. Also this month, we continue our series of inter-application transfer tutorials with a look at how to move Digital Performer tracks into Pro Tools.
Pro Tools users now have their own monthly column, focusing on tips, techniques, news and technical development coverage for the full range of PT systems, from the popular Digi 001 to top-flight professional studio hardware. *