This Pro Tools workshop is the first in a series where we will explain how to use Digidesign's DAW to work to picture. First of all, we look at the decisions you need to make in setting up your system.
You've got your system set up, and you've received the video files from the director. This month we explain how to get the video and its associated sound files into a Pro Tools Session ready for you to start work.
Once you have got your video and sync audio files into a Pro Tools Session, what do you do with them? Our short series on sound for picture concludes by explaining the ins and outs of dubbing, sound effects and Foley.
More and more post-production work is ending up in surround-compatible formats, such as DVD. We explain how to set up your Pro Tools system to do that work, and give some guidelines on recording and mixing in surround.
One of the best features of TDM-based Pro Tools systems is the negligible latency, or input-to-output delay, while recording. So what is the best way to deal with this problem if you have only an LE system?
More and more material needs to be delivered in surround formats, but what if you dont have the time or the budget for a 5.1 remix? We test the current crop of unwrap plug-ins that can create a surround master from a stereo mix.
The new Region groups feature in Pro Tools 7 enables us to work with multiple Regions as though they were a single object. In this month's workshop we also take a look at two new training resources from Digidesign.