Studio One’s macro controls can be used to create a convincing 2D panning effect.
Extensive side–chain options make Studio One’s mixer the perfect place to experiment with ducking.
Even complex audio recordings can be conformed to Studio One’s timeline — with very useful results.
Studio One offers all the tools you need to derive endless variations from a simple loop.
Audio files to accompany the article.
Studio One 3’s new Channel Editor opens up a host of possibilities, including creative M-S processing.
This month we introduce Studio One users to some of the riches on offer in the new version 3.
Audio files to accompany the Studio One article.
The right reverb treatment can turn almost any sound into source material for filter mayhem in Studio One.
Studio One offers multiple methods of synthesizing splendid stereo from mediocre mono.
Studio One’s Paint tool has some novel automation applications.
We continue our catalogue of crafty Studio One techniques for better bass sounds.
We present five easy ways to fatten up your bass lines in Studio One.
There’s plenty you can do in Studio One to stop loop–based music being repetitive and dull.
For maximum effect, combine Studio One’s bundled distortion plug–ins in a parallel signal chain.
If you’re in search of novel effects in Studio One, fire up the Autofilter plug-in!
Properly archiving your finished projects is vital. Here’s how to do it in Studio One.
Studio One lets you apply effects directly to audio Events, opening up innumerable creative possibilities.
Create an account