Quantising is all about turning your sloppy playing into rigid, computerised perfection, right? Well, no — at least, it doesn't have to be. We check out the finer points of quantising in DP and look at what it can do for your music.
Many of today's most interesting and popular audio-processing techniques are achieved with plug-ins. This month, we look at how you'd go about recreating some of them in Digital Performer, and continue our coverage of more unusual plug-in features.
Can you honestly say you use all the features of DP's plug-ins? If not, prepare to be intrigued, as we dig deeper into Dynamics, Multimode Filter, Sonic Modulator and more, in search of the facilities you didn't know were there.
Few of us use our software sequencers in isolation — we all need associated hardware, such as monitors, external effects, and favourite MIDI synths. This month we take a look at using DP with such hardware.
One of the most exciting and unexpected new features unveiled in Digital Performer 4.6 is V-Racks, and, like many of the best things in life, it's something you probably didn't realise you needed until it came along...
Move over Auto-Tune: Digital Performer v4.6's new Pitch Automation features are fully integrated into the program and provide considerable power over all aspects of pitch. We explain how they work and take you through some practical examples.
Knowing how to squeeze the very best performance and efficiency out of your DP setup can let you work more quickly and increase your creative options, whether you own a G3 iMac or the latest G5. For all you need, read on...
An accomplished sequencer such as Digital Performer certainly allows its users to push the envelope when it comes to sophisticated music and sound production, but it should also act as a sketchpad, facilitating composition and musical experimentation. We take a look at what DP can offer in this area.