Version 6 of DP comes with improved hosting of Audio Unit plug-ins — but what does that mean for the MAS format? We consider the issues, and bring you a guide to DP's new bundled convolution reverb, ProVerb.
If you've lots of third-party plug-ins in different formats, it can be a pain to keep tabs on where they're stored and which version to use. We explain how DP's plug-in manager functionality can help, as well as offering guidance on DP6 features, including the essential new 'pre-generation'.
Digital Performer has retained the same basic look and feel from its introduction right up to version 5.13 — but no more. The new DP6 looks almost like a different application, and conforms much more to OS X standards, so this month we bring you the first-look guide to what's new.
How do you create a four-minute masterpiece out of just a few measures? And what's the best reverb to make you sound like that drumming gorilla on the TV ad? These questions, and more, answered in this month's Digital Performer workshop...
DP offers an excellent environment for working with the little pieces of 'ear candy', such as filtered drops, beat-mangled breaks and reversed audio phrases, that can make such an impact in pop and electronica production. We look at some of the techniques involved.
There's more useful stuff than you can shake a stick at this month, including advice on input monitoring, ways to get around latency issues, and news of CD-burning and audio networking applications to make your life easier.
Everyone performs better when they can hear exactly what they need in their headphones. After our guide to simple DP monitor mixing options last month, we follow up with ideas for those with more complex monitoring requirements.
With so many exciting features on offer in modern DAWs, it's easy to overlook less glamorous things that you need every day. A prime example is proper monitoring — not sexy, but a crucial factor in successful multitrack recording.
Propellerhead's Reason software studio offers some great instruments and makes a good partner for DP - but there are various things to be aware of if you want to create the most hassle-free partnership. Our in-depth look at using the two applications together explains it all.
We take a look at how MOTU's new MachFive 2 sampler integrates with Digital Performer 5, explore a DP plug-in that makes it easier to work with MIDI controllers, and round up the customary batch of news and tips for DP users.
DP supports a wide range of plug-in and virtual instrument formats, which is great for flexibility and variety but sometimes not so good when it comes to trouble-free operation. We explain how to take the pain out of plug-in management.
DP's native Sound Designer II audio format can carry region information within files. That fact may not sound especially significant — but with the help of our guide you can use it to help you compile and burn CDs quickly and easily.
MIDI plug-ins are often overlooked, regarded perhaps as the poor relations of the more glamorous audio type, but they can give you real power-user status if you take the trouble to investigate their capabilities.
Last month, we looked at OS X's Network MIDI capabilities and how they get along with DP. This time, we go further into the brave new world that is network audio and remote access. Prepare to give your network connection a workout...
Unlike Logic, DP doesn't have any sort of distributed processing scheme, but by using additional Macs in your DP setup, with a network connection between them, you can achieve a similar result. Here's how it's done.