Zplane’s advanced time-stretching and pitch-shifting algorithms are now available in Cakewalk.
We explore a free Max For Live Pack that could change the way you make music in Live.
Take your auto-sampled hardware synth patches to the next level using EXS24 and Alchemy.
Not all piano-roll editors are created equal — Cubase’s boasts some very handy chord-programming tools.
The stock EQIII plug‑in may be old, but it still has a few neat tricks up its sleeve.
We delve into Live’s sophisticated new audio delay effect, Echo.
Most of the music tech software and gear we use has some concept of recording and reproducing parameter changes. We take a tour of Reason’s extensive automation facilities.
Last month I wrote about techniques for handling narration in Studio One, but I did not mention a tool that...
If you’re not blessed with flawless piano keyboard skills, don’t worry, Cubase can help.
Avid’s new ‘little and often’ update strategy is delivering some really useful improvements. We look over the most recent.
Become a Cakewalk power user with these handy hints.
Live has a few tricks up its sleeve to add variety to your drum patterns.
Turn hardware monosynths into software polysynths by auto-sampling in Logic’s companion app, MainStage.
Create an auto-ducking talkback facility using Reaper’s ReaGate plug-in.
We offer tips on working with speech in Studio One.
Create robotic vocal effects using Cubase’s in-built tools.
To get the most from Pro Tools, you need an extended keyboard — and here’s why.
Digital Performer’s Chunks window makes it easy to reorder, build, and recombine musical material.
Use Step FX in Logic Pro X to add rhythmic interest to synth and keyboard parts.
How to connect multi-channel gate sequencers like Lectric Panda’s CVPT to any instrument or plug-in in Reason.
There’s more to Cakewalk’s automation than just moving faders!
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