Unlike Logic, DP doesn't have any sort of distributed processing scheme, but by using additional Macs in your DP setup, with a network connection between them, you can achieve a similar result. Here's how it's done.
We attempt to demystify the EVOC20 vocoder plug-in and suggest ways in which it could be useful in all kinds of music, not just as a tool to produce silly robot noises!
It takes five minutes to set up your Pro Tools Preferences, but getting them right can smooth your workflow and even allow you to run more tracks from your hard drive.
Creating your own synth patches is one way to add a unique element to your music projects. This month we look at how can you can get started designing your own pad sounds using the VST Instruments supplied with Cubase.
We update you on changes to new Macs' built-in audio hardware, then take a look at how Bundles can help users of older and current Macs alike to easily reconfigure their audio I/O.
One of the biggest new additions in Sonar 6, Audiosnap, is a powerful time-stretching audio toolkit promising better-quality stretching and enhanced controllability. This month we'll explain the basics of using the new tools, following up next month with some real-world applications.
If your needs tend more towards looping and video editing than MIDI, Sony's distinctive multitrack recording package could be just what you're looking for.
Creating your own synth patches is one way to add a unique element to your music projects. We look at how you can get started designing your own pad sounds using the VST Instruments supplied with Cubase.
Automatic tuning is synonymous with many things, good and bad. We take a look at Logic's Pitch Correction tool and then examine what Auto-Tune can add.
If you edit audio in Pro Tools, you need to know about fades and crossfades. As well as being vital editing tools, they can also be used in surprisingly creative ways...
We look at how the new Instrument and Effects Racks in Live 6 stretch the creative possibilities for combining and controlling multiple devices and plug-ins.
Over the last few years, Magix's Sequoia and Samplitude have quietly been establishing a name for themselves in the mastering and recording communities, and the new version 9 of Samplitude looks set to win plenty more friends.
McDSP's compression and EQ designs offer a huge amount of control with the potential for accurate emulation of vintage devices. Throw in a tape-modelling suite and a powerful multi-band compressor, and you have the Classic Pack.
Sonar 6's new 'channel strip' offers multiple routings that enable techniques such as parallel compression, frequency-conscious dynamics control and side-chaining.
Track Presets might not add anything to the sonic possibilities offered within Cubase 4 but Steinberg have been very keen to blow this particular marketing trumpet. So just what can Track Presets do for you?