As video becomes more accessible, Cakewalk have taken notice, adding a lot of video-friendly features to Sonar 5. Here's a step-by-step guide on how to combine the worlds of audio and video within the program.
The acoustic guitar has its place in almost every style of contemporary music. So how can you use the processing tools of SX to help find the right place in your mix for all that strumming and picking?
Logic allows you to multiply the processing power of your studio system by networking multiple computers together. But how well does this actually work in practice?
MOTU have released DP 5.1, a Universal Binary version of Digital Performer that allows owners of Intel Macs to finally make the most of the application on their new machines. But while this is a crucial piece of the jigsaw in enabling DP's use on the Intel platform, it's going to be a while before you can recreate a fully loaded G4 or G5 setup. Here's the low-down...
The new Region groups feature in Pro Tools 7 enables us to work with multiple Regions as though they were a single object. In this month's workshop we also take a look at two new training resources from Digidesign.
Last month, we looked at how to build a DAW-like audio mixer in Live's Session view. This time, we'll turn our attention to MIDI channel strips, navigation, and tracking in the Arrangement view.
DP5's new virtual instruments have all the facilities you need for creating large and well-organised libraries of patches and samples, easily accessible and portable between projects and computers - as long as you know where to look.
Mark Of The Unicorn's flagship recording package combines individual design with a heavyweight feature set. Could Digital Performer be the sequencer for you?
Digidesign unveil a suite of powerful new mixing and automation features with this major HD release of the Pro Tools software, and throw in a surprising number of other goodies at the same time.
Mixer automation lets you create more dynamic mixes, but also provides a fast alternative to arranging all your tracks in the sequencer. We offer a simple guide to making the most of it.
The Pentagon I soft synth bundled with Sonar 5 is a powerhouse that even offers vocoding facilities. If you've overlooked it so far, remedy the situation with our tips, tricks and programming guide.
Cubase SX supplies us with a comprehensive set of editing tools, but the manner in which they can be used varies enormously — and also depends upon the task at hand...
Last month, we passed briefly over the flashier additions to the latest version of DP, in favour of some less obvious but rather useful new features. Now it's time to return for a closer look at those shiny new bundled instruments...
Ableton Live isn't just a DJ tool, but a very capable DAW. This month we begin a look at how to approach Live if you want to use it as a fully fledged audio sequencer.
The grey Spider devices look mild-mannered and unassuming — but they have super-powers that can unlock the hidden reserves of Reason's sound-making devices, as well as solving a host of more mundane problems.
Sonar offers several ways to mix, but is that a benefit or a source of confusion? Learn what the various mix modes do and you can choose the one that's right for your project.
When sequencers first allowed you to record musical notes in real time, one of the features that became ubiquitous in all systems was quantisation. Here we take a look at how quantise has evolved and is currently used in Cubase SX.