The audio sequencing facilities we have at our disposal these days make it easier than ever before to produce world-class vocal recordings by taking the best parts from a series of takes and producing a composite from them. Here's how to do the job in Sonar 4.
If you are attracted by the idea of Linux and open-source music software, but put off by the thought of installing it on your PC, there is another way: a bootable CD-ROM containing both the OS and all the software you need, ready to go.
We've discussed Logic's distributed audio processing in past Apple Notes columns, but this month we offer some tips on setting up Logic Node to run on a network of headless Macs, along with some advice on Firewire-based networking.
While processing 100s of channels with effects in real time has increasingly become the norm for most of us, there are still occasions when not processing audio in real time can be useful. We look at how to achieve this in Cubase SX.
Flagship sequencer apps are so packed with features that it could almost be a full-time job learning the package of your choice. If your needs are simpler, why not make it easy on yourself and investigate one of many options that are more entry-level or cut-down, yet still remarkably capable?
FL Studio has always been popular with those seeking a cost-effective, easy-to-use alternative to the 'big name' sequencers. The latest version adds a new drum sequencing tool, high-quality time-stretching and video support.
Sonar offers lots of useful metering options you may not even be aware of, so this month we run through them and why you might want to use them, as well as getting clever with colours and explaining how to make your screen setup a hint more transparent...