Folder Tracks are set to change the lives of every Pro Tools user. Here's why...
We look at two Max For Live devices that bring your step sequencing to life.
The unassuming SampleOne XT is actually one of Studio One's secret weapons.
Check out these audio examples which accompany this issue's Cubase Workshop.
If you want to inject some motion and mystery into your pad sounds, why not fire up Padshop Pro and enter the matrix?
I use a Focusrite ISA Two preamp with a Clarett 4 Thunderbolt interface, but I'm having trouble getting the two meters to match...
Cubase 10.5's Padshop 2 granular synth can create wonderfully engaging pads from any sample.
Here's how to manipulate pitch and time in Logic Pro X.
Did the first full year of incremental Pro Tools updates justify the cost of our subscriptions?
Why not use Reaper to find out what difference your 'character' plug-ins are really making?
We take another look at Reason's endlessly useful Combinator.
Studio One 4.6 introduces a major reboot of PreSonus's Ampire plug-in.
Could Cubase 10's Channel Settings window become your go-to mixing tool?
We look at how you can use MIDI velocity to manipulate Live and route notes to different instruments.
Speed up your Logic Pro X workflow with these time-saving tips.
Pro Tools offers numerous ways to beef up an anaemic low end. We show you how...
Reaper's multichannel WAV support makes comping multitracks a breeze.
We show you how to use Reason as a plug-in within Ableton Live.
After a few last stereo adjustments, it's time to prepare your Studio One masters for release.
VCA (voltage-controlled amplifier) faders don't pass audio. Rather, they act as 'remote controls' for other faders: assign a...
We show you how to work with irregular tempos and rhythms in Live.
Create an account