Use Step FX in Logic Pro X to add rhythmic interest to synth and keyboard parts.
A little planning can help you get up and running quickly with mix projects transferred from other DAWs.
How to connect multi-channel gate sequencers like Lectric Panda’s CVPT to any instrument or plug-in in Reason.
There’s more to Cakewalk’s automation than just moving faders!
Studio One v4 makes it easy to transfer material between Songs, and even to or from other DAWs. Let's explore how...
Save time and screen space by combining multiple plug-ins into FX Chains in Cakewalk.
Max For Live’s take on convolution reverb is a versatile sound design tool.
Apple have reinvented Camel Audio’s CamelPhat as the flexible Phat FX in Logic Pro 10.4. We see what it can do.
Mono plug-ins in Pro Tools can be used on stereo and surround tracks. We explain why this is useful!
Noise Engineering’s modules have made the leap from Eurorack to Reason rack. We investigate...
New features in Studio One 4 make it even easier to add interest to sequenced patterns.
As these vocal examples demonstrate, Cubase’s Macros enable you to streamline your workflow significantly and save yourself considerable time.
With the fundamentals covered in previous versions, Studio One 4 branches out to explore new creative possibilities.
After almost a decade in the wilderness, the original loop-based sequencer is back. But is Acid still the best?
Sonar is dead, long live Cakewalk by Bandlab! We run through some of its top features.
We see how crossfades can be used creatively and cosmetically in Live.
Logic’s new Smart Tempo features can be useful when using third-party loops in your productions.
Playlists in Pro Tools are usually invaluable, but once in a while, they can trip you up.
The latest version of Reason introduces new Player devices and a big update for flagship synth Europa.
Inspired by Tony Visconti’s famous gated room mic technique on 'Heroes', we look at how Studio One’s FX Chains can be used to set up complex dynamic effects.
Compressing dynamic vocal parts can be tricky with one compressor — so why not try using two?
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