With the introduction of Logic Pro X 10.5, EXS24 has been ‘replaced’ by a plug‑in instrument called Sampler.
We show you how to make a tempo map with Beat Detective.
We delve deep into The Echo, Reason’s versatile delay effect.
We offer guidance on working with MIDI Polyphonic Expression (MPE) in v5 of Studio One.
Cubase can help you write and arrange realistic string parts.
Audio examples to accompany Part 1 of our Cubase: String Theory article.
Moving to Live from another DAW? We've got you covered...
Thinking of collaborating with other musicians/engineers? Here's how to prepare and share your Cubase project data.
Get to grips with Logic 10.5's cells and Scenes.
Studio One makes working with MIDI drums a breeze.
Get to grips with Pro Tools' powerful beat manipulation tool.
Future-proof your projects. We examine the archival options for users of Cubase Elements, Artist or Pro.
We explore Avid's Pro Multiband Splitter plug‑in.
Reason has two completely different systems for configuring MIDI sources. We unpick some of the confusion around this to find the best ways to sequence and play Reason from external devices.
The latest version of DP includes some powerful timing & tempo-manipulation tools.
Max For Live's versatile MIDI CC devices open up a world of creative control.
Cubase Pro's Spectral Comparison EQ makes it easy to figure out why things sound too different or too similar!
Pro Tools 2020.5 brings some handy options for project sharing, plus enhanced EUCON integration.
Studio One's Music Editor is more than just a piano roll.
We continue our exploration of DP's MasterWorks plug‑in suite.
Check out these audio files that accompany this issue's Cubase workshop.
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