DAWs

We begin this regular column on using Ableton Live by examining how you can increase your productivity whilst using the program as a writing tool.

Mixing live band recordings within Logic presents a unique set of challenges, so we show you how to get great results with the minimum hassle.

Few of us use our software sequencers in isolation — we all need associated hardware, such as monitors, external effects, and favourite MIDI synths. This month we take a look at using DP with such hardware.

Can't quite get your Reason rhythm section kicking with the rest of the track? If you've never considered tuning your drum samples and loops to help create a tight and harmonious mix, now may be the time to try it...

Cakewalk have strengthened the MIDI side of Sonar 5 considerably, in recognition of the rise of software synths that benefit from enhanced MIDI controllability. We run through some of the new features and suggest how you might want to use them...

We take a look at building tempo maps for writing to picture in Cubase, using Markers, Time Warping and the Process Tempo command.

We all know that Beat Detective can be used to fix up dodgy drumming. But how about creating a tempo map from a freely played keyboard part? Or replacing a piano track with note-for-note accuracy? You can achieve amazing results when you know how...

More tips and news from the world of Apple Logic.

Not everyone can afford to invest in a dedicated high-spec hardware controller such as Logic Control. However, you can use even the most humble of MIDI devices to control your mixer, software synths, and plug-ins instead.

We've got news of some interesting new plug-ins this month, and the solution to one of those software compatibility problems that can drive you bananas...

One of the most exciting and unexpected new features unveiled in Digital Performer 4.6 is V-Racks, and, like many of the best things in life, it's something you probably didn't realise you needed until it came along...

There can't be many Pro Tools users left who have not had to invest in an iLok key in order to run their favourite plug-ins. But did you know that you can insure, transfer and even buy and sell iLok plug-in licences electronically? Find out more...

ReBirth is dead. Long live ReBirth! We discuss the decision to discontinue this pioneering software and discover how Reason users can keep its spirit alive.

When the version number's most significant digit increments, you know something big is going to happen — what's inside Version 5?

Reason 3 has several new tools for pumping up final mixes and creating that 'finished product' sound.

This modest little soft synth has been bundled with Sonar since version 1.0 and is very kind to your CPU resources, yet many Sonar users are still unaware of just how much you can squeeze out of it. We present some evidence.

Since its SX reincarnation three years ago, Cubase has once again become one of the most flexible tools for writing music to picture. Let's investigate...

Once again, there's a bumper crop of news from Digi-world to report, including the long-awaited jump to version 7 of Pro Tools.

The new Tiger AUPitch plug-in promises better pitch-shifting performance, but does it deliver in practice?

Mixing and automating complicated projects can be made simpler if you use 'stems'. What are they and how do you do it? Read on...

Move over Auto-Tune: Digital Performer v4.6's new Pitch Automation features are fully integrated into the program and provide considerable power over all aspects of pitch. We explain how they work and take you through some practical examples.