We take a closer look at Digital Performer for OS X (which shall henceforth be known as DP4), and MachFive, plus the latest MAS plug-in releases.
We begin a two-part tutorial explaining Pro Tools' powerful facilities for automating your mix.
We explore Sonar's new ASIO support, explain the advantages of recording dry while monitoring with effects, and shed some light on the knotty topic of dithering.
This month's workshop shows you how to go about mastering your tracks in Logic, and there are also some useful tricks for faster audio and MIDI editing.
While using keyboard shortcuts in a sequencer is nothing new, this month we explain how Cubase SX/SL takes the idea further, and look at Hans Zimmer's unique solution for accessing Key Commands in Cubase.
In the second half of this two-part series, we pass on tips that make sequencer use easier, explain device layering, and add some hints for the new devices added to Reason in the v2 update.
Propellerhead Software's flexible studio package can take you in all kinds of new creative directions if you know how to get the best out of it. Let us be your guide...
All modern sequencers make it easy to enhance your arrangements with subtle tempo variations, but these facilities are often ignored.
In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.
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