Apple have reinvented Camel Audio’s CamelPhat as the flexible Phat FX in Logic Pro 10.4. We see what it can do.
Mono plug-ins in Pro Tools can be used on stereo and surround tracks. We explain why this is useful!
Noise Engineering’s modules have made the leap from Eurorack to Reason rack. We investigate...
New features in Studio One 4 make it even easier to add interest to sequenced patterns.
As these vocal examples demonstrate, Cubase’s Macros enable you to streamline your workflow significantly and save yourself considerable time.
Sonar is dead, long live Cakewalk by Bandlab! We run through some of its top features.
We see how crossfades can be used creatively and cosmetically in Live.
Logic’s new Smart Tempo features can be useful when using third-party loops in your productions.
Playlists in Pro Tools are usually invaluable, but once in a while, they can trip you up.
The latest version of Reason introduces new Player devices and a big update for flagship synth Europa.
Inspired by Tony Visconti’s famous gated room mic technique on 'Heroes', we look at how Studio One’s FX Chains can be used to set up complex dynamic effects.
Compressing dynamic vocal parts can be tricky with one compressor — so why not try using two?
Looking for a new synth? Check out Cubase’s latest bundled one first!
We catch up with the new Packs in Live 10.
Unlock the secrets of Logic Pro’s new ChromaVerb algorithmic reverb.
We offer a relatively painless way to create stems from a large Pro Tools mix.
Increase the stereo width of your tracks with Mid-Sides processing in Sonar.
Archiving your Studio One Songs in a future-proof format could save your life in years to come.
When it comes to mixing bass, sometimes more is more, and Cubase has all the tools you need...
Take our crash course on Live 10’s new Wavetable synth.
With Smart Tempo in Logic Pro 10.4, you need no longer record to a click.
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