The need to substitute one clip for another arises frequently, and Pro Tools is ready to help out.
Reaper’s MIDI Editor can be customised to make programming your drum parts easier. We explain how...
We get to grips with Reason’s aptly named Radical Piano.
Add a human element to your drum parts with Sonar’s various quantising options.
Learning how to use Studio One’s templates can make a massive difference to your efficiency.
Can Cubase’s Groove Agent SE4 take care of all your virtual drummer needs?
We explore DP’s tools for applying pitch-correction, harmony generation, pitch-quantising and pitch effects to vocal tracks.
We explore Live 10’s new MIDI Capture and Multi-Clip editing features.
We serve up some fresh ideas for vocal processing using Track Stacks in Logic Pro X.
Some of the most important features of a hardware console are found in its master section. Here’s how to add them to the Pro Tools mixer.
Cut to the chase with Reason templates.
We show you the many ways you can chop up and manipulate loops in Sonar.
If you like to explore different versions of a song (or just have difficulty making your mind up!) Cubase’s Track Versions have a lot to offer.
Make mono guitars monstrously wide with Logic Pro X’s Dual Mono features and Track Stacks.
We continue our exploration of the mastering possibilities in Pro Tools.
We investigate Propellerheads’ new subscription service for Reason Rack Extensions.
We show you some of Sonar’s lesser-known functionality beginning with the DSP menu...
With Studio One’s advanced features, latency need not be a problem.
Manage effects and processors more efficiently in Cubase’s MixConsole.
We explain how to use Digital Performer’s comping tools to assemble a killer vocal take.
We examine three different ways to harness the power of granular synthesis in Live.
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