We show you some of Sonar’s lesser-known functionality beginning with the DSP menu...
With Studio One’s advanced features, latency need not be a problem.
Manage effects and processors more efficiently in Cubase’s MixConsole.
We explain how to use Digital Performer’s comping tools to assemble a killer vocal take.
We examine three different ways to harness the power of granular synthesis in Live.
We take a closer look at the automation features in Logic Pro X.
Pro Tools isn’t just for recording and mixing. It’s also pretty handy for mastering work.
Propellerhead’s uber-modulator Synchronous is now included for free with Reason 10.
We show you how to transfer your projects from Sonar to a new DAW.
Get your Studio One ducking techniques in a row as we explore different ways to improve vocal intelligibility.
Cubase’s MixConsole has all sorts of handy features to help you establish an efficient mix workflow.
We delve into the mysteries of granular synthesis with Max For Live’s Granulator II instrument.
Create, recall and control complex effects chains and routings with Logic’s Smart Controls and Track Stacks.
We explain the pitfalls to avoid when transferring projects from other DAWs for mixing in Pro Tools.
Reaper’s Track Templates facility allows you to store and recall far more than a list of insert plug-ins!
We get to grips with Grain, Reason 10’s versatile new granular synth.
Get the most out of Groove Clips in Sonar.
We lift the lid on Studio One’s multifarious methods of exporting, bouncing and merging material.
Cubase’s audio transpose features open up some interesting creative possibilities.
We show you how you can treat Live as one big modular synth.
We help you get to grips with Reaper’s new spectral-editing functions.
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