DAWs

Flagship sequencer apps are so packed with features that it could almost be a full-time job learning the package of your choice. If your needs are simpler, why not make it easy on yourself and investigate one of many options that are more entry-level or cut-down, yet still remarkably capable?

Version 5 of Acid Pro is the first major upgrade under the Sony Media Software badge, and has taken two years to arrive. Does it keep pace with other manufacturers' loop-sequencing packages?

FL Studio has always been popular with those seeking a cost-effective, easy-to-use alternative to the 'big name' sequencers. The latest version adds a new drum sequencing tool, high-quality time-stretching and video support.

The migration to OS X has caused major upheavals for both software manufacturers and musicians, but Mark Of The Unicorn's long-established Digital Performer sequencer is better than ever.

The latest version of Cakewalk's flagship sequencer brings it into the world of surround sound, makes it easy to work with folder tracks and multiple takes, and adds one of the most comprehensive Freeze functions available on any DAW.

The new version 7 of Logic is a huge upgrade which sees the program assimilated even further into Apple's product range, and adds some intriguing new instruments and networking features. Following last month's preview, here's the full lowdown...

I am a composer working with Sibelius on a PC, and recently I needed to send some pieces to an orchestrator working in...

Cubase SX 3 is the latest incarnation of one of the best-known brands in sequencing software, offering many new features and tying up the loose ends from previous generations of Cubase. But with increased competition, most notably from Apple and Cakewalk, can Steinberg maintain their cross-platform advantage?

When Apple bought Emagic two years ago, the question on everyone's lips was 'What will they do with Logic?' Now they have unveiled perhaps the most radical overhaul the sequencer has ever seen, with improvements ranging from new instruments and effects to a networking system that could eliminate CPU restrictions completely. We explain what's changed in this preview (our full in-depth review will follow next month).

I use Cubase SX 2 and find the Freeze function for VST Instrument tracks very useful. I was disappointed to note that it can take six or seven minutes to freeze a VST track. Why is this, when it only takes one to two minutes to export an entire composition as a WAV file?

As a creative, stable and above all fun way of combining audio loops in real time, Ableton's Live has proved an ideal counterpart to Rewire-compatible applications such as Cubase. With version 4 offering a wealth of new features, including MIDI sequencing, could Live now replace traditional sequencers altogether?

The Sonar adventure continues with a new audio engine, a fresh look, new plug-ins and a surprising sampler.

The success story that is the Reason software studio continues to unfold with the release of v2.5, which adds a slew of sophisticated effects and processing devices — all free to registered users.

I'm having trouble getting my Roland JV1080 to work well with Emagic Logic Audio. When I change MIDI channel in Logic the sound disappears, or I can't get the sounds that I want to stay put. How can I get Logic and the JV to synchronise?

This first major revision to Steinberg's Cubase SX incorporates the newly developed audio engine from Nuendo 2, new features for media composers, and classic features from Cubase VST. Does it all add up to a substantial improvement over version 1?

Fruity Loops has built itself quite a cult following in dance music circles. The latest version comes with a new name, FL Studio, as well as some interesting new virtual instruments and proper audio recording features.

I have an oldish Mac with only 128MB of RAM, and would like to know how I can squeeze the most out of it with Propellerhead's Reason.

Since its first release three years ago, Nuendo has raised a great deal of interest among those who need a professional audio production tool, and with Nuendo 2, Steinberg have developed one of most ambitious native-based audio systems yet seen. But in an industry dominated by Digidesign, will it be enough to lure potential users away from their Pro Tools rigs?

Cubase SX has a Detect Silence feature and a Hitpoints feature that seem to me like they do pretty much the same thing. Are they different, and when should I use them?

Making Waves have been developing their eponymous looping software to include new features such as VST Instrument support and high sample-rate recording, while retaining its core virtues of simplicity and low hardware requirements.

Synapse Audio's Orion is now supplied platinum-coated and, with only a modest price rise over the Pro version, is also available in a cardboard box.