Steinberg's post-production suite now boasts Dolby Atmos authoring.
Analog Delay has been a stock Studio One plug‑in since the beginning, pumping out cool vintage echoes with its previously vanilla GUI, but with v5 it received a bit of an interface upgrade.
The following Audio examples accompany our Cubase: String Theory Part 2 workshop article.
Last month we ‘faked’ some string‑arrangements. Now it’s time to add a human touch.
One of the most significant features introduced in DP 10 was the Clips window, and in the 10.1 release, MOTU made it even more powerful.
Live’s Session view abandons the timeline and allows you to simply trigger individual looping or one‑shot clips of any length.
Finally, Logic Pro X catches up with, and in many ways improves upon, the step sequencers in other DAWs.
Click to read our exclusive in-depth review and see our first-look video.
Cubase Pro now features EuCon controller support, and streamlines the process of exporting projects and stems.
Latest version adds new instruments, extensive MPE support, and enhanced audio and MIDI editing features.
With the introduction of Logic Pro X 10.5, EXS24 has been ‘replaced’ by a plug‑in instrument called Sampler.
We show you how to make a tempo map with Beat Detective.
We delve deep into The Echo, Reason’s versatile delay effect.
We offer guidance on working with MIDI Polyphonic Expression (MPE) in v5 of Studio One.
Cubase can help you write and arrange realistic string parts.
Audio examples to accompany Part 1 of our Cubase: String Theory article.
Moving to Live from another DAW? We've got you covered...
Thinking of collaborating with other musicians/engineers? Here's how to prepare and share your Cubase project data.
Get to grips with Logic 10.5's cells and Scenes.
Get to grips with Pro Tools' powerful beat manipulation tool.
Studio One makes working with MIDI drums a breeze.
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