Don't know the gentleman, but it's a common practice when mastering.
A fun effect is when one's added harmonics to the bass a bit up in the midrange, because these are more directional and can contribute a bit to the stereo width.
But mono-izing the bass up to 80-90Hz it's fairly standard at least when there's music and not sound design. For one, it would be odd to have a completely different rendition in headphones than on loudspeakers.
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Frequencies in the stereofield of the mix
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Re: Frequencies in the stereofield of the mix
by CS70 » Thu Apr 08, 2021 9:26 am
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Re: Frequencies in the stereofield of the mix
by cremedonut » Thu Apr 08, 2021 3:59 pm
Oh, I didn't know it was that common. Harmonics alone won't create an stereo effect, right? They should be some kind of stereo effect, like modulation or a space-effect?
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Re: Frequencies in the stereofield of the mix
by Hugh Robjohns » Thu Apr 08, 2021 4:07 pm
cremedonut wrote:Harmonics alone won't create an stereo effect, right? They should be some kind of stereo effect, like modulation or a space-effect?
:lolno: :cry:
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Re: Frequencies in the stereofield of the mix
by cremedonut » Fri Apr 09, 2021 8:03 pm
Please reconsider your conduct.Hugh Robjohns wrote:cremedonut wrote:Harmonics alone won't create an stereo effect, right? They should be some kind of stereo effect, like modulation or a space-effect?
:lolno: :cry:
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