mickeyderon wrote:I'm pretty new to mixing but apparently I've picked it up really well so far. Even though something sounds right to me, I still need that final confirmation from someone else's ears particularly if they have a studio as I'm working on headphones at the moment.
Some people may say for example I need to work on the low end.
Sure, post your stuff. You can get a quite good idea by playing it on different systems for example, a smartphone and a car stereo being two good examples.
The low end is trickier as it's hard to have access to a disco playback system, but mixing on cans is actually a plus - it's easier than using a subwoofer (and in an untreated room, much less risky of horrid results!). You just need to know how your headphones sound - which means listening to well mixed, commercial music on the same set and internalize how bass sound. You can also directly reference good tracks with tools like Magic AB or Ozone and even free spectrum analyzers can be useful.
If you find that your mixes are less than perfect in certain elements, the next step is to find out how to fix 'em.. and there the people in this forum have a very large bag of tricks to share.