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Programmer/Lawyer with music degree tackles copyright infringement issues

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Re: Programmer/Lawyer with music degree tackles copyright infringement issues

Postby Kwackman » Fri Mar 06, 2020 9:58 pm

merlyn wrote:Yes, but if you take away the notes what have you got?
Drum solo.
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Re: Programmer/Lawyer with music degree tackles copyright infringement issues

Postby Eddy Deegan » Fri Mar 06, 2020 10:14 pm

Kwackman wrote:
merlyn wrote:Yes, but if you take away the notes what have you got?
Drum solo.

I am not worthy :clap: :clap: :clap:
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Re: Programmer/Lawyer with music degree tackles copyright infringement issues

Postby merlyn » Mon Mar 09, 2020 6:36 pm

Sam Spoons wrote:Avant garde jazz?

Avant garde jazz usually has a lot of notes. Some people think too many, and the wrong ones.

Kwackman wrote:Drum solo.

Pretty much, although I don't know if the triangle or cowbell would make it.

It seems curious to me that no-one bats an eyelid at 3dB boost at 10kHz, balanced and unbalanced, room modes or bit depth and sampling rate all of which are theory, yet there is a general perception that your musical soul will plummet to hell if you read a note of music or learn any music theory.

For consistency the next time someone asks a technical question the answer should be "just feel it, man." :lol:
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Re: Programmer/Lawyer with music degree tackles copyright infringement issues

Postby Sam Spoons » Tue Mar 10, 2020 5:03 pm

I've had many long discussions on the merits and otherwise of reading music, one more won't hurt :bouncy: (ducks and runs for cover)
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