Sam Spoons wrote:mashedmitten wrote:I do know players that have an extremely light attack and use the thinnest of picks, strictly. Put an extra heavy in their hand and it's a train wreck. And they're fast.
Electric players who use distortion can get away with thin picks 'cos most of he tone comes from the pedals/preamps (I play electric) but, as MM says, the control is vastly superior with a still pick. Also most guys who play fast with distortion (the ubiquitous 'shredders') are playing mostly 'legato' style and only picking every third note anyway so the pick is almost irrelevant.
Really though I'm talking about acoustic guitar. Look at fast acoustic players and it's an entirely different picture (referring to 'flat pickers' here BTW not fingerstyle players). Modern Gypsy Jazz players like Joscho Stephane and Remi Harris (and of course Django himself), or Bluegrass flat pickers like Tony Rice and the UK's own Charlotte Carrivick all play blisteringly fast on big acoustic guitars with heavy strings and thick plectrums. They pick almost every single note with very few hammer-ons or pull-offs and at it's best it's stunningly clean and precise.
jmmm... I strongly disagree with your 1st paragraph. It may be something like that in metal-ish styles with 0.09 strings, loads of high hain distortion and scoop mids. But listening to duane allman, stevie ray vaughan or even brian may himself I wouldnt discard the importance of the plectrum in the final tone