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UDO Super Synth?

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UDO Super Synth?

Postby Arpangel » Tue May 28, 2019 11:05 am

Binaural......? HHMMmmmm? Can't say it sounds like anything new, but who knows....

https://m.youtube.com/watch?v=3Yi3HiXWjVI
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Re: UDO Super Synth?

Postby The Elf » Tue May 28, 2019 6:22 pm

Looks interesting, and sounds pretty good, at least as far as a video demo can take it. I'm dubious of the value of a true stereo path through the synth.

I think they may regret that '6' in the name...
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Re: UDO Super Synth?

Postby Arpangel » Wed May 29, 2019 10:52 am

I was wondering, quite childishly I suppose, that if it had binaural or surround capabilities built in, then if you were a film composer it may be quite useful!

:beamup:
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Re: UDO Super Synth?

Postby The Elf » Wed May 29, 2019 11:35 pm

I think they're making 'creative' use of the word 'binaural'... ;)
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Re: UDO Super Synth?

Postby Arpangel » Thu May 30, 2019 7:30 am

I must admit, I haven't had a good dig around yet, but from what I've seen it's architecture is conventional, but I may be wrong, things lurking under the bonnet maybe,
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Re: UDO Super Synth?

Postby Dave B » Thu May 30, 2019 8:22 am

Maybe it's just the general 'meh-ness' talking, but I'm finding it hard to get excited about this one. Obviously I wish the chaps every success, but I can't see anything that screams "You need this in your life". I was excited by the Prophet XL (but put off by semi-weighted keybed - grrr) and the Walforf Quantum and can see me splurging in the future. I was even piqued by the Novation Summit as I found myself quite liking the Peak. But I'm just a bit over the whole 'boutique synth that costs an arm and a leg and doesn't really give me anything special'. I blame the Moog One personally ....

:)
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Re: UDO Super Synth?

Postby Arpangel » Sun Jun 02, 2019 10:21 am

Dave B wrote:Maybe it's just the general 'meh-ness' talking, but I'm finding it hard to get excited about this one. Obviously I wish the chaps every success, but I can't see anything that screams "You need this in your life". I was excited by the Prophet XL (but put off by semi-weighted keybed - grrr) and the Walforf Quantum and can see me splurging in the future. I was even piqued by the Novation Summit as I found myself quite liking the Peak. But I'm just a bit over the whole 'boutique synth that costs an arm and a leg and doesn't really give me anything special'. I blame the Moog One personally ....

:)

Yes, you'd think that if a new synth was capable of previously unheard of sonic wonders then you would try and mkae that apparent in the demo's and presets. W all have different ideas aout this, but honestly, there have been lots of instruments previously that have grabbed me in this way.......Uh Oh! I'm having trouble thinking of any! Buchla still defies definition though, has in the past, and still does IMO.
I think we are going to have to put up with all the Moog Bass, synth string and House Stabbs, though, it's just a question of "does it have potential" and you can only find out by digging around in it.
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Re: UDO Super Synth?

Postby Martin Walker » Mon Jun 03, 2019 11:58 am

Arpangel wrote:Yes, you'd think that if a new synth was capable of previously unheard of sonic wonders then you would try and mkae that apparent in the demo's and presets...
I think we are going to have to put up with all the Moog Bass, synth string and House Stabbs, though, it's just a question of "does it have potential" and you can only find out by digging around in it.

My feelings exactly Arpangel!

When I bought my Prophet12 a few years ago I spent the first week or so wondering if I'd made a mistake - yes, there were lots of interesting sounds in the factory demos, but very few that were truly inspiring.

I really didn't know whether or not to send it back during the 'cooling off' period, but I'm now glad I didn't. And the turning point? I starting creating a few of my own sounds from scratch, and suddenly the P12 came to life!! 8-)

I now get the impression that factory presets are often limited by one of the first samples being sent round a team of sound designers who each get several days with it before it gets passed on to the next one. I can understand why this happens, but it doesn't half limit the factory presets! :headbang:


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Re: UDO Super Synth?

Postby Arpangel » Thu Jun 06, 2019 12:51 pm

Martin Walker wrote:
Arpangel wrote:Yes, you'd think that if a new synth was capable of previously unheard of sonic wonders then you would try and mkae that apparent in the demo's and presets...
I think we are going to have to put up with all the Moog Bass, synth string and House Stabbs, though, it's just a question of "does it have potential" and you can only find out by digging around in it.

My feelings exactly Arpangel!

When I bought my Prophet12 a few years ago I spent the first week or so wondering if I'd made a mistake - yes, there were lots of interesting sounds in the factory demos, but very few that were truly inspiring.

I really didn't know whether or not to send it back during the 'cooling off' period, but I'm now glad I didn't. And the turning point? I starting creating a few of my own sounds from scratch, and suddenly the P12 came to life!! 8-)

I now get the impression that factory presets are often limited by one of the first samples being sent round a team of sound designers who each get several days with it before it gets passed on to the next one. I can understand why this happens, but it doesn't half limit the factory presets! :headbang:


Martin

And, if the presets do turn out yo be astounding, would I want to use someone else's sounds? The answer to that is yes, I've no qualms about that. It's how you use it that matters.
But it is quite amusing when a new instrument comes along and it has what they think are the best imitations of a Moog or an Oberhiem etc etc, when in fact they aern't, and it's highly likely that soneone buying and expensive new synth is going to be aware of all this and have the originals anyway if it means that much too them.
Why doesn't someone make a synth that is just what it is, and not pretend to be all sorts of things it's not particularly good at. Also, stop chasing your tails, Moog are tye worst offenders, copy after slightly different copies of what went before.
Sound designers? phew? David Sylvian was/is good, Steve Barbieri, Joe Zawinul, Eno of course, and lots of others to name but a few, all influenced me, but they were true individuals, and maybe a synth wouldn't sell too well if it had no presets, but then again, maybe that's why modular has become so popular!
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Re: UDO Super Synth?

Postby Arpangel » Thu Jun 06, 2019 12:52 pm

Arpangel wrote:
Martin Walker wrote:
Arpangel wrote:Yes, you'd think that if a new synth was capable of previously unheard of sonic wonders then you would try and mkae that apparent in the demo's and presets...
I think we are going to have to put up with all the Moog Bass, synth string and House Stabbs, though, it's just a question of "does it have potential" and you can only find out by digging around in it.

My feelings exactly Arpangel!

When I bought my Prophet12 a few years ago I spent the first week or so wondering if I'd made a mistake - yes, there were lots of interesting sounds in the factory demos, but very few that were truly inspiring.

I really didn't know whether or not to send it back during the 'cooling off' period, but I'm now glad I didn't. And the turning point? I starting creating a few of my own sounds from scratch, and suddenly the P12 came to life!! 8-)

I now get the impression that factory presets are often limited by one of the first samples being sent round a team of sound designers who each get several days with it before it gets passed on to the next one. I can understand why this happens, but it doesn't half limit the factory presets! :headbang:


Martin

And, if the presets do turn out to be astounding, would I want to use someone else's sounds? The answer to that is yes, I've no qualms about that. It's how you use it that matters.
But it is quite amusing when a new instrument comes along and it has what they think are the best imitations of a Moog or an Oberhiem etc etc, when in fact they aern't, and it's highly likely that soneone buying and expensive new synth is going to be aware of all this and have the originals anyway if it means that much too them.
Why doesn't someone make a synth that is just what it is, and not pretend to be all sorts of things it's not particularly good at. Also, stop chasing your tails, Moog are tye worst offenders, copy after slightly different copies of what went before.
Sound designers? phew? David Sylvian was/is good, Steve Barbieri, Joe Zawinul, Eno of course, and lots of others to name but a few, all influenced me, but they were true individuals, and maybe a synth wouldn't sell too well if it had no presets, but then again, maybe that's why modular has become so popular!
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Re: UDO Super Synth?

Postby Arpangel » Thu Jun 06, 2019 12:53 pm

Arpangel wrote:
Arpangel wrote:
Martin Walker wrote:
Arpangel wrote:Yes, you'd think that if a new synth was capable of previously unheard of sonic wonders then you would try and mkae that apparent in the demo's and presets...
I think we are going to have to put up with all the Moog Bass, synth string and House Stabbs, though, it's just a question of "does it have potential" and you can only find out by digging around in it.

My feelings exactly Arpangel!

When I bought my Prophet12 a few years ago I spent the first week or so wondering if I'd made a mistake - yes, there were lots of interesting sounds in the factory demos, but very few that were truly inspiring.

I really didn't know whether or not to send it back during the 'cooling off' period, but I'm now glad I didn't. And the turning point? I starting creating a few of my own sounds from scratch, and suddenly the P12 came to life!! 8-)

I now get the impression that factory presets are often limited by one of the first samples being sent round a team of sound designers who each get several days with it before it gets passed on to the next one. I can understand why this happens, but it doesn't half limit the factory presets! :headbang:


Martin

And, if the presets do turn out to be astounding, would I want to use someone else's sounds? The answer to that is yes, I've no qualms about that. It's how you use it that matters.
But it is quite amusing when a new instrument comes along and it has what they think are the best imitations of a Moog or an Oberhiem etc etc, when in fact they aern't, and it's highly likely that soneone buying and expensive new synth is going to be aware of all this and have the originals anyway if it means that much too them.
Why doesn't someone make a synth that is just what it is, and not pretend to be all sorts of things it's not particularly good at. Also, stop chasing your tails, Moog are the worst offenders, copy after slightly different copies of what went before.
Sound designers? phew? David Sylvian was/is good, Steve Barbieri, Joe Zawinul, Eno of course, and lots of others to name but a few, all influenced me, but they were true individuals, and maybe a synth wouldn't sell too well if it had no presets, but then again, maybe that's why modular has become so popular!
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