Controlling natural reverb
Posted: Fri Dec 07, 2018 3:55 pm
Hi, Folks. I am working in a medium sized auditorium that is a concrete shell at the moment with no wall treatments or sound baffles and an unfinished ceiling. Needless to say, I get tons of natural reverb which is nice for some things but can be a bit troublesome with feedback when I'm trying to get higher gains on stage mics, choir mics and such. I have been experimenting with gates, compression, and LPF's to see if I can cut some of that reverb and feedback out, and I can isolate some of the more troublesome frequencies and drop them out of the mix but I am wondering what suggestions you might have for gate settings or any other tricks I could try. Thanks.