Hugh Robjohns wrote:Whichever way you look at it, a 'protective limiter' in the DAW is a bit of a chocolate fire guard!
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Hugh Robjohns wrote:Whichever way you look at it, a 'protective limiter' in the DAW is a bit of a chocolate fire guard!
Matt Houghton wrote:And I have a hunch that full-scale digital noise was less of an issue in the (g)olden days of analogue :headbang:
James Perrett wrote:Matt Houghton wrote:And I have a hunch that full-scale digital noise was less of an issue in the (g)olden days of analogue :headbang:
So you've never had a performer hang their headphones on the microphone or plugged a line level output into a mic input? Accidents certainly happen in the analogue world too but that's why the monitor level control is often the largest knob on the desk.
Hugh Robjohns wrote:Whichever way you look at it, a 'protective limiter' in the DAW is a bit of a chocolate fire guard!
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