A striking monitor from Tannoy couples a revitalised dual-concentric driver design with a new Supertweeter, providing increased resolution for 24-bit/96kHz playback.
One of the secrets of overdubbing is setting up good cue monitoring for the performer. There are, however, a number of different approaches and it is important to choose the most appropriate for the task at hand.
Can you advise on the powering and positioning of Behringer's Truth monitors? How can I control proximity effect? Why do speaker stands have spikes? Will Steinberg's Virtual Guitarist run on my PC? Will replacing my carpet with laminate affect the acoustics? Can you recommend a second-hand sampler with a floppy drive? How can I get broadcast masters to sound louder?
Dynaudio Acoustics use cutting-edge digital signal processing, developed with TC Electronic, to increase the fidelity of their existing driver technology.
We conclude our two-part examination into whether the traditional distinction between studio monitors and hi-fI speakers is justified. This month, the power-handling and compression characteristics of our four test monitors come under scrutiny...
An incorrectly set up or unsuitable design of subwoofer can seriously compromise the accuracy of your monitoring environment. We outline the performance characteristics of the different types and show you how to incorporate a sub for optimum effect within your system.
Loudspeakers are traditionally designed for either monitor or hi-fi applications, but is there actually any difference? And just how suitable are hi-fi speakers for nearfield monitoring in the project studio? In Part 1 this month, we examine measured responses.
If your monitoring isn't up to scratch, your whole production will suffer, so here are some tips on setting up your room so that your mixes always sound their best.