Quested have addressed the negative points of our previous F11 review, and incorporated a few small but significant improvements along the way. In the process, they've updated the original F11, and introduced a new passive version, the F11P.
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New British company OS Acoustics impress us with their high-performance debut monitor.
Does this affordable powered speaker from Yamaha have what it takes to handle project studio mixing?
This active nearfield monitor offers stunning audio performance from its extremely compact cabinet dimensions.
Finally the HR824 has a little brother and, like most little brothers, this one has both attitude and confidence!
Loudspeakers are traditionally designed for either monitor or hi-fi applications, but is there actually any difference? And just how suitable are hi-fi speakers for nearfield monitoring in the project studio? In Part 1 this month, we examine measured responses.
Cutting-edge technology, incredible dynamics, but is it really a studio monitor?
By combining traditional speaker engineering with a little help from software, HEDD have come up with a rather special set of monitors.
With Mackie’s experience in making monitors, it’s no surprise that their affordable new range punches above its weight.
We conclude our two-part examination into whether the traditional distinction between studio monitors and hi-fI speakers is justified. This month, the power-handling and compression characteristics of our four test monitors come under scrutiny...