Immersive Audio

With the release of SkyDust 3D 1.5, users are now able to import their own audio files for use within the spatial audio-capable synth.

Spacelab now seamlessly integrates with the company’s Dolby Atmos Composer software, providing immersive audio creators with a reverb that feeds directly into their Dolby Atmos mix.

Atmos at The Village details the design and installation of a Kali Audio 7.1.4 Dolby Atmos system in Studio F of The Village in Los Angeles, California. 

Ginger Audio's latest release provides monitor control and routing facilities for multi-channel surround and immersive audio from a DAW or other playback application. 

AudioMatrix is a useful utility plug-in that offers a quick and simple way to change and configure the channel routings of DAW tracks. 

Pristine Peaks IE is a streamlined version of RJ Studio’s mastering limiter plug-in which has been expanded and optimised to support a range of multi-channel formats. 

The public beta of Spacelab 1.5 allows users to employ the Fiedler Audio's reverb plug-in on their immersive mixes without the need to manually setup any complex routing.

The University of Salford are hosting a free event dedicated to spatial audio technology, with industry experts delivering talks, panel discussions, demonstrations and workshops.

PSP auralComp is capable of providing up to 16 channels of compression for multi-channel audio sources, and features some versatile side-chain submixing facilities. 

The latest Pro Tools update adds a new track markers feature, expanded immersive mixing capabilities and improved interoperability with Media Composer sessions.

Embody have partnered with Steinberg to update their Immerse Virtual Studio room modelling plug-in, which now features two virtual Dolby Atmos studios as well as boasting optimised integration with Cubase, Nuendo and WaveLab.

The latest plug-ins from Fiedler Audio allow any DAW to be used to create Dolby Atmos content, even those that lack native multi-channel support.

We went to the Antelope Audio booth and talked to Sylvia Massy about Dolby Atmos Mixing with her Antelope gear.

Lynx talk us through the free firmware upgrade that is now available for the Aurora (n) which enables Dolby Atmos Compatibility.

Reinventing Studio 4 at RAK, the first in a new series of web articles, is now available in the new Case Studies section of the SOS website.

SSL's latest consoles aim to bridge the gap between control surfaces and large-format consoles for those mixing music in immersive formats. 

Sound Technology have announced an upcoming event with legendary mix engineer Bob Clearmountain at Platoon 7 studios in London, UK.

Universal Audio Apollo x16 users now have the ability to monitor a range of immersive playback formats including Dolby Atmos, Auro-3D, Sony 360 Reality Audio and more.

Prism Sound have announced that their flagship A-D/D-A converter system, the ADA-128, is now shipping to customers worldwide. 

Dolby's latest software release combines the features of their Dolby Atmos Production Suite and Dolby Atmos Mastering Suite tools into a single all-in-one solution.

The BP3600 can be used to record three-dimensional sound beds at sporting events, concerts, festivals, movie sets, and more.