Industry Talk

Richard Wear of Interfacio talks about the opportunities that exist within the pro-audio industry and how to improve your chances of finding a career within this field. 

Adam Shepard of ADAM chats to Sam Inglis about the distinctive technology at the heart of ADAM's loudspeakers and explains how they've achieved so much in a mere five years!

Dean James Barratt is a sought-after Mix Engineer based out of The Dairy Studios in London. Dean talks to Sam Inglis about his personal road to becoming a freelance Mix Engineer, what defines that role, tips on making it, and what keeps clients coming back for more.

Mark Crabtree of AMS Neve chats with Sam Inglis about how two of the biggest names in UK audio technology came together, and how they are using their unique expertise in analogue and digital audio to develop their next wave of studio products.

After nearly 40 years everybody's favourite digital music protocol is about to get an upgrade...

How will producers hear music in years to come? As they celebrate their 20th birthday, ADAM Audio have ambitious plans for the next generation of studio monitors.

Industry veteran Phil Dudderidge, now 70, may have plenty to look back on, but he’s still looking forward as Focusrite enters its 30th year.

Ever wondered how plug-in companies recreate classic outboard gear in your DAW? We take a peek into Softube's modelling lab to find out.

With waveforms on screen now the norm, how do the visually impaired navigate audio production?

Hyde Street Studios are under near-constant threat, but their owner’s enthusiasm and tenacity are prevailing.

Does AI threaten to put us all out of our jobs — or will it simply make us better at doing them? We talked to the developers leading the AI revolution in music.

Many still bemoan the demise of the large commercial studio — but what if music itself was to blame?

Getting proper credit for your work is about to get a whole lot easier — but there’s still a way to go.

US copyright law could finally be entering the 21st century — and it’s good news for engineers and producers.

Does the concept of ownership mean anything in the software studio?

For growth in the music production sector, look beyond your doorstep.

AI is yet to find its place in music production — but it’s only a matter of time...

Gender equality in music production still has a way to go.

Tax breaks offer some hope for our ailing industry.

Are album credits finally coming to streaming services?

This year’s AES Show in New York saw a number of welcome changes...