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    FX Copyroom: Tape Salvage & Transfer

    Kevin Vanbergen

    We've seen some curious studios in SOS over the years, but not many have included a warehouse full of vintage hardware, Pro Tools HD rigs, and thermostatic ovens. But it's all part of the daily routine at FX Copyroom...

    Music Business Sep 2005
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    Q. Do I need to register with royalty collection agencies abroad as well as in the UK?

    Is the German GEMA essentially the same as the MCPS? Does a band putting out its own CDs need to register with different people in different countries, or do these organisations cover all situations?

    Sound Advice Sep 2005
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    The History Of Roland: Part 5

    1998-2004

    As Roland founder Ikutaro Kakehashi celebrates his 75th birthday, we conclude our history of this innovative company by coming right up to the end of 2004...

    Music Business Mar 2005
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    The History Of Roland: Part 4

    1992-1997

    The recession of the early '90s was difficult for many companies — but not Roland. Diversifying still further from their roots as a maker of synthesizers and organs, they emerged stronger, encompassing almost every area of hi-tech musical instrument manufacture.

    Music Business Feb 2005
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    Modelling Classic Hardware In Software

    Universal Audio's Joe Bryan

    Since Bill Putnam's sons founded Universal Audio anew, the company have become well known for software emulations of old gear, as well as for their hardware recreations of vintage classics. We find out how they go about it...

    Techniques Feb 2005
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    Creative Commons, Copyright & The Independent Musician

    New Approach To Copyright Licensing

    As the music industry struggles to adjust to the growing effects of the Internet on sales, even traditional concepts such as copyright are being reconsidered. We examine the Creative Commons movement and explain how it could be useful to musicians everywhere.

    Music Business Jan 2005
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    The History Of Roland: Part 3

    1986-1991

    Roland made their name with analogue synths and effects, but by the mid-1980s, they needed to go digital to remain competitive. It was a leap into the unknown for the company, but it ushered in a golden era...

    Music Business Jan 2005
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