Keyboards

Expressive E’s Osmose is a synthesizer like no other.

Vintage Vibe’s Rhodes recreation just keeps getting better.

Californian start‑up Groove Synthesis haven’t just recreated the PPG Wave, they’ve made it even better.

Anyone fancy a versatile controller keyboard with the tip of the Arturia software iceberg included free?

The Fantom‑0 squeezes the soul of its flagship big brother into a compact and affordable package.

Much more than just a bigger MicroFreak, Arturia’s MiniFreak is a six‑voice polysynth with a character like nothing else.

ASM expand their popular Hydrasynth range with two new options.

Teenage Engineering’s OP‑1 Field is much more than a sequel.

Cre8audio’s NiftyKEYZ case might just change your whole approach to modular.

Could the SK Pro 73 be Hammond’s most versatile keyboard yet?

Oberheim are back, and doing what they do best — making massive polysynths with a massive sound.

New synth‑makers PWM met the Devil at a crossroads at midnight. This is the result.

Is the Zen‑powered X the best Juno Roland have ever made?

Novation’s first attempt at an 88‑note controller keyboard seems to get everything right.

The keyboard version of the desktop version of the Quantum, is the Iridium Keyboard even better than the original synth?

Akai’s MPK Mini Play MkIII is a small keyboard with a dual identity.

The Hammond SKX Pro may not be cheap, but boy do you get a lot for your money.

Korg lovingly recreate a ’70s synth classic.

With its innovative modular approach to sound engines, this powerful stage keyboard should suit the needs of most performers!

We test Behringer’s take on an underrated Korg classic.

Roland add another classic polysynth to their Boutique range.