Keyboards

Finding an affordable keyboard with a good weighted action and a healthy selection of sounds suitable for studio and live use isn't as easy as you might think. Could Yamaha's S08 be the Holy Grail?

Years after releasing their successful OB series of digital drawbar organs under the Oberheim brand, Viscount have updated their take on organ modelling with the new DB series. But the march of progress seems to have executed an abrupt about-turn...

Hot on the heels of the recent Virus C comes the Virus Indigo 2, now upgraded to include the new Virus C synth engine. And what a difference it makes!

The VK8 is Roland's latest addition to their long-established VK series of tonewheel organ emulations. But due to the current popularity of the tonewheel sound, there are now plenty of other Hammond imitators around. Can the new VK stand its ground?

The Mellotron has had a chequered history, from '60s 'must-have' to '80s has-been, but it's survived bankruptcy and technological progress, and now it's back, in a brand-new, reworked form. We relate the story of this classic instrument, and see how the new version compares to the old.

Korg's Trinity and Triton have led the workstation market for so long that updating the concept can't have been easy — after all, how do you improve the best? So what's new in the Triton Studio, and will it keep Korg ahead?

The Roland RS202 and Multivox MS202 are two classic string synthesizers that seem to share more than a passing physical and sonic resemblance. We investigate the machines and the myths, and solve the mystery once and for all.

For applications where space or portability are at a premium, it is hard to beat this compact, two-octave MIDI master keyboard, which also incorporates eight assignable real-time MIDI controllers.

Prior to taking over the sampling world, Akai launched a hybrid analogue/digital synth with a unique interface.

In Part 1 (of 2) last month, we finished with the question: 'What is the Quadra? Is it a turkey of the first order, or a misunderstood and overlooked masterpiece?' This month, we'll take a closer look at the instrument itself to find the answer.

Novation seem to be on a roll. Scarcely had the monotimbral A-Station made the cover of our December 2001 issue, when news broke of a £500 keyboard version. We look at one of the first UK production models.

The Oberheim/Viscount OB•12 was already a well-specified virtual analogue synth when it was launched in 2000, but it failed to gain much of a following. Now, after an OS upgrade and a cut in price, it's seriously good value for money...

Combining strings, a monosynth, a bass synth and a polyphonic synthesizer, did ARP create the keyboard equivalent of 'Wash and Go', or a jack of all trades and master of none?

The pioneering Sonic 6 has a complex and intriguing background, featuring not only the synth industry's most famous name, Bob Moog, but also that of an unsung hero called Gene Zumcheck - a shadowy figure now, but one whose contribution to synthesis deserves acknowledgement.

Korg's Triton has dominated the workstation synth market for several years, but the past 12 months have seen challenges to this position firstly from Yamaha, with their Motif, and now from Roland. Does this Fantom have what it takes?

The all-time best-selling synthesizer, Korg's M1 laid the groundwork for synths that followed. We go behind the scenes to reveal the secrets of its success.

The Ondes Martenot was one of the earliest 20th-century electronic musical instruments, and found favour with composers of avant-garde orchestral works for many years. Now, thanks to Cornish company Analogue Systems, it's getting a new lease of life...

Korg have dominated the top-end workstation market for several years with their Triton range, but apart from the rack version, there have been no lower-priced spin-offs. The Triton Le keyboard changes that, offering many of the Triton's powerful features at a more affordable price.