NI’s latest 88‑note controller introduces a keyboard with hammer‑action polyphonic aftertouch and a lot more besides.
If you thought the age of hugely ambitious polysynths was over, think again...
Lurking within this humble arranger keyboard is a completely new form of synthesis...
Korg’s Wavestate and OpSix are back, and they’re bigger than ever...
In terms of pure bang for your buck, it doesn’t get much better than Yamaha’s CK keyboards.
AJH Synth’s first dedicated system reimagines what the Minimoog might be.
The ubiquitous Nord Stage keyboards just keep getting better.
KMI’s latest keyboards offer MPE control in compact and colourful packages.
Dave Smith’s last synthesizer is a worthy farewell from a man who gave the synth world so much.
Kurzweil’s new stage piano makes the case for simplicity as a virtue.
Arturia’s new KeyLab Essential focuses firmly on computer control, with ambitious DAW integration.
Rhodes’ software recreation of their flagship instrument shows all the same painstaking attention to detail.
Virtual piano, virtual pianist or virtual songwriting partner? Toontrack’s EZkeys 2 attempts all three.
Meet the Seaboard Rise 2, the squishy sequel to ROLI’s original expressive keyboard controller.
Expressive E’s Osmose is a synthesizer like no other.
Californian start‑up Groove Synthesis haven’t just recreated the PPG Wave, they’ve made it even better.
Vintage Vibe’s Rhodes recreation just keeps getting better.
Anyone fancy a versatile controller keyboard with the tip of the Arturia software iceberg included free?
The Fantom‑0 squeezes the soul of its flagship big brother into a compact and affordable package.
Much more than just a bigger MicroFreak, Arturia’s MiniFreak is a six‑voice polysynth with a character like nothing else.
ASM expand their popular Hydrasynth range with two new options.
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