Microphones / Miking

Inspired by RCA's BK5, AEA's latest mic combines classic ribbon tone with a supercardioid polar pattern.

For their newest project, Samar Audio set themselves the challenge of creating the ideal cardioid microphone. Have they succeeded?

Telefunken's ELA M 251 is considered by many to be the Holy Grail of vocal mics — but at 10 grand a pop, owning one is a mere aspiration for most of us. Enter Warm Audio...

DPA's stage mics have long been held in high regard, but they've also been priced out of reach of many. Until now...

Measurement mics are necessarily neutral and accurate, and that's often just what you want when recording music too. Gefell's newest offering, based around a measurement capsule, has those characteristics in abundance.

This wireless system combines supreme ease of use with the quality for which Sennheiser are known.

Developed in conjunction with renowned recording engineer Tony Faulkner, Rode's new stereo miking kit is intended not just to compete with the established competition, but to better it. Have they succeeded?

If you're looking for mics that'll handle almost any recording task without breaking the bank, Lewitt's newest offerings could be just the thing.

Many engineers believe that Neumann's classic KM84 has never been bettered. Have Warm Audio produced an affordable alternative?

Listen to the audio examples that accompany the RNT test report.

Austrian Audio may be a new name, but their first mics have an unrivalled pedigree. Are these the true heirs of AKG's classic C414 EB?

Earthworks' new stage vocal mic offers excellent specs, and sounds every bit as classy as it looks!

This premium studio microphone is the result of a long-standing collaboration between mic-makers sE and legendary studio equipment designer Rupert Neve.

With its built-in analogue compressor, Apogee's latest USB mic aims to give you radio-ready recordings straight out of the box.

With its world-class mics, rugged carry case and comprehensive accessories, Audix's DP7 is a one-stop shop for drum recording.

Extinct Audio's excellent BM9 ribbon mic is now joined by a stereo version, and a ruggedised edition designed for loud sources. We put them to the test.

Designed both with both podcasters and home-studio owners on tighter budgets in mind, Blue's Ember is a transformerless, fixed...

Having been impressed with how both microphones performed on a number of sources, our reviewer produced these WAV audio examples so you can hear the results for yourself.

The Sontronics range of phantom‑powered ribbon mics have just been given a major overhaul. We put them to work in a real-world recording session.

Luke Audio's new valve microphone provides three classic capsule options at a highly affordable price. Is it too good to miss, or too good to be true?

Aston's capacitor mics are fast becoming popular in the studio, and with its four voicing options and built-in preamp, their first ever dynamic model looks set to follow suit!