You are here

Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

  • link

    sE Electronics BL8 | Audio Examples

    Hear For Yourself

    These audio examples accompany our review of the BL8 Boundary Mic from sE Electronics.

    Reviews Mar 2024
  • link

    sE Electronics BL8

    Boundary Microphone

    We follow sE Electronics on the highway to the pressure zone.

    Reviews Mar 2024
  • link

    sE Electronics DCM3 & DCM6

    Dynamic Microphones

    sE’s new dynamic design comes in both active and passive flavours.

    Reviews Apr 2023
  • link

    sE Electronics DynaCaster

    Active Dynamic Microphone

    sE’s latest mic combines a moving‑coil capsule with the company’s Dynamite preamp technology.

    Reviews Oct 2022
  • link

    sE Electronics Neom USB

    USB Microphone

    sE’s new desktop mic is good for more than just podcasting!

    Reviews Aug 2022
  • link

    sE Electronics V Pack Arena

    Drum Microphone Set

    Fully loaded with shell, kick and overhead mics plus mounting hardware, sE's smart V Pack Arena has everything you need to make quality drum kit recordings.

    Reviews Apr 2020
  • link

    sE Electronics RNT | Audio Examples

    Hear For Yourself

    Listen to the audio examples that accompany the RNT test report.

    Reviews Jul 2019
  • link

    sE Electronics RNT

    Multi-pattern Valve Microphone

    This premium studio microphone is the result of a long-standing collaboration between mic-makers sE and legendary studio equipment designer Rupert Neve.

    Reviews Jul 2019
  • link

    sE Electronics sE2300

    Multi-pattern Capacitor Microphone

    This update on a popular sE design offers improved specs at a familiar price.

    Reviews Nov 2018
  • link

    sE Electronics sE8

    Small-diaphragm Capacitor Microphone

    sE Electronics’ affordable new pencil mics prove themselves more than capable on a wide range of sources.

    Reviews Mar 2018
  • link

    sE Electronics V3 & V7

    Dynamic Vocal Microphones

    Studio stalwarts sE join the stage-mic fray with these two new designs. It’s a crowded marketplace — can they stand out?

    Reviews Feb 2017
  • link

    SE Electronics RN17

    Small-diaphragm Capacitor Microphone

    SE’s partnership with Rupert Neve has yielded this impressive new transformer-equipped microphone. We put it to the test.

    Reviews Apr 2015
  • link

    SE Electronics SE X1D

    Capacitor Instrument Microphone

    With its titanium-sputtered diaphragm, this mic is supposed to respond better to fast transients. We put that theory to the test.

    Reviews Mar 2015
  • link

    SE Electronics X1T

    Valve Microphone

    SE give their popular X1 a valve boost, while keeping the price within reach of the masses.

    Reviews Sep 2014
  • link

    SE Electronics SE5

    Cardioid Capacitor Microphone

    With its extended frequency response and high SPL handling ability, the SE5 could prove to be the company's most versatile mic to date.

    Reviews Jul 2014
  • link

    SE Electronics SE X1 USB

    USB Capacitor Microphone

    The affordable sE Electronics sE X1 capacitor microphone is now available with an onboard USB converter, so that it can be...

    Reviews Jun 2014
  • link

    SE Electronics Magneto

    Cardioid Capacitor Microphone

    SE's first back-electret microphone offers impressive performance at a surprisingly low price.

    Reviews May 2014
  • link

    SE Electronics SE X1R

    Ribbon Microphone

    Ribbon mics have long been known for their smooth high end, but can sometimes sound a little on the dull side. Enter the SE X1R...

    Reviews Nov 2012
  • link

    SE Electronics SE2200A MkII

    Multi-pattern Condenser Microphone

    This update of the hugely successful SE2200A adds switchable polar patterns and a fresh lick of paint!

    Reviews May 2012
  • link

    SE Electronics SE2200A MkII | Media

    Multi-pattern Condenser Microphone

    Audio files to accompany the article.

    Reviews May 2012
  • link

    SE Gemini 5 & G3500

    Large-diaphragm Condenser Mics

    SE's new siblings employ the same capsule as previous Gemini designs - but they're very different mics...

    Reviews Mar 2011

Pages

Subscribe to RSS - Microphones / Miking