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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Lindos Minisonic Mic Kit

    Stereo Mic & Preamp Set

    Lindos, known for their test and measurement equipment, have started making products for musicians and engineers. We put their versatile new stereo mic/preamplifier kit to the test.

    Reviews Dec 2012
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    Audix VX5 & VX10

    Handheld Capacitor Microphones

    Looking to improve the sound of your live vocals? One of these premium mics from US company Audix might be just the ticket.

    Reviews Dec 2012
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    Audio-Technica AT5040

    Large-capsule Capacitor Microphone

    Rather than rely on established designs, Audio-Technica have used some genuinely innovative thinking to come up with this unusual, multi-diaphragm vocal mic. How does it perform?

    Reviews Dec 2012
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    Apogee MiC

    Microphone For iOS & Mac OSX

    Apogee's MiC offers a quality preamp and converter significantly better than those built-in to iOS devices and Mac sound cards.

    Reviews Dec 2012
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    Microtech Gefell M900

    Capacitor Microphone

    Microtech Gefell mics have long been revered for their sonic performance in the studio — so why not use them on stage too?

    Reviews Nov 2012
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    Microtech Gefell M930Ts

    Large-diaphragm Capacitor Microphone

    Almost a decade of experience has only reinforced my appreciation of this unassuming little mic.

    Reviews Nov 2012
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    SE Electronics SE X1R

    Ribbon Microphone

    Ribbon mics have long been known for their smooth high end, but can sometimes sound a little on the dull side. Enter the SE X1R...

    Reviews Nov 2012
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    AKG D12VR | Media

    Audio Examples

    Audio files to accompany the article.

    Reviews Oct 2012
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    AKG D12VR

    Dynamic Microphone

    For their 65th anniversary, AKG have released this new take on their classic D12. We put it up alongside the original to find out if it’s worthy of the name...

    Reviews Oct 2012
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    ADK Odin & Thor

    Large-diaphragm Microphones

    These mics are intended to offer the sound of the classic U87, while costing a fraction of the price. Do they live up to their inspiration?

    Reviews Sep 2012
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    Blackspade UM17R

    Multi-pattern Valve Microphone

    This handmade mic employs top-quality components, which lend it a character reminiscent of the classic Neumann M49.

    Reviews Sep 2012
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    Prodipe Lanen MC1

    Handheld Capacitor Microphone

    This French-designed stage mic costs less than more established models — and might just out-perform them, too!

    Reviews Sep 2012
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    Latch Lake MicKing

    Heavy-duty Mic Stand System

    Exactly what sets a mic stand apart from the crowd?

    Reviews Aug 2012
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    Lewitt Audio LCT640

    Multi-pattern Capacitor Microphone

    This innovative large-diaphragm mic offers more pad, pattern and filter options than you can shake a stick at — but how does it sound?

    Reviews Aug 2012
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    Peluso P67

    Valve Microphone

    In the P67, Peluso have sought to recreate a bit of Neumann history. Does it offer the same sound that made the U67 a classic?

    Reviews Aug 2012
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    Ehrlund EHR-M

    Condenser Microphone

    Instead of cutting corners, Swedish company Ehrlund have added them, by basing their microphone around an unusual triangular diaphragm.

    Reviews Jul 2012
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    Sontronics Halo | Media

    Dynamic Microphone

    Audio files accompany the article

    Reviews Jul 2012
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    Sontronics Halo

    Dynamic Microphone

    This vintage‑styled mic is designed especially for recording electric guitar. Does it sound as classy as it looks?

    Reviews Jul 2012
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    Stage Capacitor Microphones

    Spotlight

    Does your live vocal sound lack the clarity and detail of your studio recordings? Then you may want to switch over to a capacitor model. Here’s a selection of current options.

    Reviews Jul 2012
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    MicW N101

    Omnidirectional Condenser Microphone

    This Chinese mic bears a close resemblance to some premium European models. Does its sound live up to its looks?

    Reviews Jun 2012
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    AKG DMS70 Quattro

    Wireless Microphone System

    Thinking of going wireless? If you value audio quality and ease of use, this digital system from AKG might be just what you’re looking for.

    Reviews May 2012

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