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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Rode Classic II

    Valve Microphone

    Paul White evaluates Rode's reincarnated Tube Classic microphone to see whether technical progress has compromised the sound or improved it.

    Reviews Dec 1999
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    Hebden Sound CM1000 & CM2000 Series

    Capacitor Microphones

    There aren't many British mic companies, but one — Hebden Sound — offer a complete range of hand-built capacitor mics, sourced entirely from British components.

    Reviews Nov 1999
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    JoeMeek JM47 Meekrophone

    Capacitor Mic

    Paul White tries out a JoeMeek product that, for once, isn't entirely green — but finds there's still a lot for the competition to envy.

    Reviews Sep 1999
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    CAD VSM1

    Large-diaphragm Valve Condenser MIc

    Extending their popular range of condenser microphones, Conneaut Audio Devices have introduced the impressive retro-styled VSM1 tube microphone near the top of their range.

    Reviews Aug 1999
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    Earthworks SR71

    Phantom Cardioid Microphone

    Hugh Robjohns tries out a stylish new microphone from US manufacturers Earthworks.

    Reviews Jul 1999
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    Beyerdynamic MCE93 & MCE94

    Studio Condenser Microphones

    Hugh Robjohns meets a double-act of new Beyer microphones.

    Reviews Jun 1999
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    Rode NTV

    Valve Microphone

    In which our hero Paul White puts an Antipodean valve studio mic through its paces to ascertain whether it is Nice To Vocals.

    Reviews May 1999
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    Shure KSM32

    Cardioid Condenser Microphone

    A new studio microphone from Shure is always well worth investigating. Hugh Robjohns checks out the KSM32 cardioid mic.

    Reviews May 1999
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    AKG C4000B condenser microphone.

    AKG C4000B

    Condenser Microphone

    Multi‑pattern microphones traditionally have true capacitor capsules and are correspondingly relatively expensive — until now. We test AKG's affordable new C4000B, the first dual‑diaphragm, multi‑pattern mic with an electret capsule.

    Reviews Apr 1999
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    Beyer MCE90 condenser microphone.

    Beyer MCE90

    Studio Condenser Microphone

    Beyerdynamic's range of microphones has grown at a very healthy rate over the last year or so. We provide a first opinion on their new general‑purpose studio condenser, the MCE90.

    Reviews Mar 1999
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    Alesis GT Electronics

    AM-series Microphones

    With so many good capacitor microphones already on the market, can Alesis offer anything new? Paul White puts their new large-diaphragm FET and valve mics to the test.

    Reviews Feb 1999
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    Microtech Gefell UM900 valve condenser microphone.

    Microtech Gefell UM900

    Valve Condenser Microphone

    The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...

    Reviews Jan 1999
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    AKG C1000S

    Back-electret Microphone

    Paul White tries the latest incarnation of an old friend and discovers that beneath the new paint job, little has really changed.

    Reviews Dec 1998
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    Audio Technica AT4060

    Valve Microphone

    Paul White tests a new valve mic that captures the essence of a good vintage design at a realistic price.

    Reviews Nov 1998
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    Peavey PVM T9000

    Valve Microphone

    The battle for low-cost valve mic supremacy warms up as Paul White encounters Peavey's new PVM T9000.

    Reviews Oct 1998
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    Beyer MCE7

    Miniature Microphone

    Though they're usually not specifically designed for recording, miniature mics can be real problem solvers in certain situations.

    Reviews Sep 1998
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    Sennheiser Evolution Series

    Vocal Microphones

    Paul White studio-tests Sennheiser's new range of affordable vocal microphones to see if they really can give the established models a run for their money.

    Reviews Aug 1998
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    Earthworks QTC1 & Z30X

    Omni-directional Microphones

    Still looking for the best mic/preamp money can buy? Hugh Robjohns unearths some real gems from the USA.

    Reviews Jul 1998
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    Neumann TLM103

    Cardioid Condenser Microphone

    The TLM103 is, of course, a complete impossibility — it has supposedly been designed to a project studio price whilst retaining the qualities of Neumann's top-flight, large diaphragm U87.

    Reviews Jun 1998
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    Audio Technica 30 Series

    AT3525 / AT3527 / AT3528 Microphones

    Paul White gets an earful of a new range of quality mics that goes easy on the pocket but doesn't compromise on sound.

    Reviews May 1998
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    Beyer MCD100

    Digital Condenser Microphone

    Beyerdynamic have become the first mainstream manufacturer to offer the audio industry a practical digital microphone. Hugh Robjohns investigates the MCD100 to see if it represents the future of recording technology.

    Reviews May 1998

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