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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

Displaying 1 - 15 of 15 items
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    Studio Projects C1 & C3

    Capacitor Microphones

    A choice of two stylish and affordable microphones, each complete with hard case, shockmount and wind shield.

    Reviews Dec 2002
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    BLUE Baby Bottle

    Cardioid Condenser Microphone

    BLUE's newest hand-built condenser mic is their most affordable yet, and continues their tradition for striking styling. But does it sound as good as it looks?

    Reviews Nov 2002
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    MXL V69

    Tube Microphone

    We check out MXL's most affordable tube microphone yet.

    Reviews Oct 2002
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    Audio Technica AT4040 SM

    Cardioid Condenser Microphone

    At a price point of around £300, there are already very good contenders for your money on the quality condenser mic market. Does the 4040 SM have what it takes to become a front-runner?

    Reviews Sep 2002
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    Brauner Phantom

    Multi-pattern Capacitor Microphone

    The Phantom is the first valveless mic from a company known for their top-quality valve designs. Will their solid-state debut make as good a name for itself?

    Reviews Sep 2002
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    Rode NT4 & NT5

    Condenser Microphones For Stereo Recording

    Do you prefer doing stereo recordings with two separate mics or with one dual-capsule mic? With their NT4 and NT5 models, Rode cater for both techniques.

    Reviews Aug 2002
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    Shure KSM27

    Cardioid Capacitor Microphone

    A versatile, entry-level large-diaphragm condenser mic with a particularly well balanced performance.

    Reviews Jul 2002
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    AEA R44C Ribbon Microphone.

    AEA R44C

    Ribbon Microphone

    Built as an authentic replica of one of the all-time classic mics, this premium ribbon model from Audio Engineering Associates brings a unique character to the modern studio.

    Reviews Jun 2002
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    Red5 Audio RV8 & RV10

    Large-diaphragm Capacitor Microphones

    Just when we thought large-diaphragm capacitor mics couldn't get any more affordable, along come these fiercely competitive models, with a shockmount and aluminium case thrown in just for good measure!

    Reviews Jun 2002
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    Audio Technica AT3031 & AT3032

    Back-electret Studio Microphones

    AT's new models prove that back-electret designs can offer performance to rival conventional capacitor mics.

    Reviews May 2002
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    Sennheiser Evolution E664

    Condenser Microphone

    This latest addition to the affordable Evolution range brings Sennheiser's renowned K-series technology within reach of the project studio.

    Reviews Apr 2002
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    Superlux PRA Series

    Drum Microphones

    Complete boxed sets of drum mics at incredibly low prices. Is it too good to be true?

    Reviews Apr 2002
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    CAD M9

    Large-diaphragm Valve Condenser Mic

    CAD continue their M series with an affordable valve mic.

    Reviews Mar 2002
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    BLUE Dragonfly

    Cardioid Capacitor Microphone

    Not only is this new cardioid condenser microphone extremely striking to look at, but it also boasts performance which is well out of the ordinary.

    Reviews Feb 2002
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    Superlux CMH8 Series

    Capacitor Microphones

    The price war in the budget condenser mic market gets even more fierce with the launch of this range of large-diaphragm models.

    Reviews Jan 2002
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