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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Audix A127

    Omnidirectional Electret Microphone

    Audix are renowned for their dynamic mics, but their latest model is a high‑end electret design intended to compete with some of the best instrument mics in the world.

    Reviews Dec 2021
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    Austrian Audio CC8

    Small-diaphragm Capacitor Microphone

    Austrian Audio deliver a 21st Century take on a famous ‘pencil’ mic design.

    Reviews Dec 2021
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    The BPT Array

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    The creator of the Blumlein‑Pfanzagl‑Triple mic array describes its development, as well as its use at a recent Salzburg Festival event.

    Techniques Dec 2021
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    Daniel Blackmer of Earthworks Audio

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    Daniel Blackmer, Director of Engineering at Earthworks Audio, explains the company's distinctive approach to microphone design.

    Music Business Dec 2021
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    Can't afford a Sony C-800G? Try this Warm Audio WA‑8000 microphone.

    Warm Audio WA‑8000

    Valve Capacitor Microphone

    In perhaps their most ambitious project yet, Warm Audio’s latest microphone tackles the legendary Sony C‑800G.

    Reviews Nov 2021
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    MXL Revelation Mini FET

    Cardioid Capacitor Microphone

    MXL’s Mini FET mic is as versatile as it is affordable.

    Reviews Nov 2021
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    Proximity Effect

    In Theory And In Practice

    We all know that close miking boosts the low end. But why? New research from DPA Microphones explains that some instruments are more affected by proximity effect than others.

    Techniques Nov 2021
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    JM Acoustic ORTF Microphone Clip

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    3D‑printing has made it practical for designers to manufacture all manner of specialised microphone mounting brackets at relatively low cost.

    Reviews Nov 2021
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    Mars Rover Mission 2020

    Sound From Mars With DPA Microphones | Podcast

    Behind The Brand

    René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.

    Music Business Nov 2021
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    Two-mic Guitar Tracking

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    Many classic electric guitar sounds have been captured using just one microphone. So when and why might you use more?

    Techniques Oct 2021
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    ZP Microphones ZP800G

    Cardioid Capacitor Microphone

    Can a solid‑state microphone really give you the sound of Sony’s classic valve C800G?

    Reviews Oct 2021
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    Warm Audio WA-67

    Valve Capacitor Microphone

    Warm Audio’s latest mic takes on the venerable Neumann U67. We put it to the test!

    Reviews Sep 2021
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    Sennheiser MD 435

    Dynamic Microphone

    Sennheiser’s latest stage mic puts one of the company’s premium wireless capsules into a conventional wired mic format. We put it to the test.

    Reviews Aug 2021
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    MXL Revelation II

    Multi-pattern Valve Microphone

    We try out the second coming of MXL’s affordable valve mic. Was it worth the wait?

    Reviews Jul 2021
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    For the brightest sound, place the mic ‘on axis’ (firing directly at the speaker), and aiming at the centre of the speaker cone.

    How To Record Guitar Cabs With One Mic

    Cab Miking

    If you’re new to recording, it often pays to keep things simple, and when it comes to guitar cabs that means learning how to get the best sound with only one microphone.

    Techniques Jul 2021
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    Golden Gear: Beyer Ribbon Mics

    Microphones

    Affordable, reliable and unexpectedly small, Beyer’s ribbon mics have been studio staples since the mid‑’60s.

    Reviews Jun 2021
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    PreSonus DM-7

    Drum Microphone Kit

    PreSonus’ affordable DM‑7 comes with all the mics you’ll need to capture a quality drum kit sound.

    Reviews Jun 2021
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    Remic Classic Series

    Stringed Instrument Microphones

    The new Classic range from Danish company Remic aims to offer high‑end performance at an attractive price.

    Reviews Jun 2021
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    Golden Gear: AKG D19

    Dynamic Microphone

    We kick off a new series profiling classic studio equipment with a look at a humble dynamic mic that has passed into Liverpudlian legend.

    Reviews May 2021
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    Melodium 42Bn

    Ribbon Microphone

    A French classic is reborn.

    Reviews May 2021
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    Shure MV7

    USB & XLR Dynamic Microphone

    Shure’s new podcasting mic delivers pro sound quality in a consumer‑friendly package.

    Reviews May 2021

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