You are here

Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

  • link

    The BPT Array

    Blumlein‑Pfanzagl‑Triple Mic Array In Action

    The creator of the Blumlein‑Pfanzagl‑Triple mic array describes its development, as well as its use at a recent Salzburg Festival event.

    Techniques Dec 2021
  • link
    Daniel Blackmer of Earthworks Audio

    Earthworks Audio | Podcast

    Extended Range Microphones

    Daniel Blackmer, Director of Engineering at Earthworks Audio, explains the company's distinctive approach to microphone design.

    Music Business Dec 2021
  • link

    Proximity Effect

    In Theory And In Practice

    We all know that close miking boosts the low end. But why? New research from DPA Microphones explains that some instruments are more affected by proximity effect than others.

    Techniques Nov 2021
  • link
    Mars Rover Mission 2020

    Sound From Mars With DPA Microphones | Podcast

    Behind The Brand

    René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.

    Music Business Nov 2021
  • link

    Two-mic Guitar Tracking

    Cab Miking Tips & Techniques

    Many classic electric guitar sounds have been captured using just one microphone. So when and why might you use more?

    Techniques Oct 2021
  • link

    Q. Are passive mics less noisy than active ones?

    I record spoken‑word narration, close‑miked in a small room, with basic room treatment. While I have no noise‑floor problems, I’ve noticed that some of my mics have a lot less noise than others...

    Sound Advice Oct 2021
  • link
    For the brightest sound, place the mic ‘on axis’ (firing directly at the speaker), and aiming at the centre of the speaker cone.

    How To Record Guitar Cabs With One Mic

    Cab Miking

    If you’re new to recording, it often pays to keep things simple, and when it comes to guitar cabs that means learning how to get the best sound with only one microphone.

    Techniques Jul 2021
  • link

    Q. Can I plug unbalanced mics into transformer mic preamps?

    I purchased some small‑diaphragm electret condenser microphones from 12 Gauge Microphones and can only use them on my non‑transformer input mic preamps. Do you know of a way to make these mics work with my transformer input preamps?

    Sound Advice Jun 2021
  • link

    Q. Do speakers narrow the image that’s captured by an X-Y stereo mic array?

    I’ve seen stereo mic arrays that claim to capture 196 degrees of the sound stage. What’s the point if the speakers can only reproduce 60 degrees of the whole image?

    Sound Advice Jun 2021
  • link

    Q. What mic polar pattern is best for recording speech?

    I’m trying to improve the sound of my speech recordings which can be a bit ‘echoey’. I’ve been using a Rode NTG4 shotgun mic...

    Sound Advice May 2021
  • link

    An Introduction To Binaural Recording

    Use Your Head

    Binaural recordings are an easy and effective way to capture immersive audio.

    Techniques Apr 2021
  • link

    Buying A Vintage-inspired Microphone

    Classix Nouveau

    Everyone loves classic microphones, but few of us can afford them! We survey the hundreds of modern recreations on the market, and explain what to look for when you’re choosing one for your studio.

    Sound Advice Mar 2021
  • link

    How To Mic Anything

    Get A Decent Result Every Time!

    Recording an instrument you’ve not encountered before can seem daunting. Here’s a rule of thumb that guarantees a decent result every time.

    Techniques Mar 2021
  • link

    Choosing & Using Microphone Polar Patterns

    Polar Exploration

    Choose a mic with the optimum polar pattern for the job, and you’re halfway to capturing a great recording.

    Techniques Mar 2021
  • link

    Recording Drum Kits With Only Two Mics

    Five Miking Techniques

    While experimenting with ‘minimal’ drum‑miking setups during a recent lockdown, the author found them really inspiring and captured some great drum sounds. So is it time you re-evaluated the decisions you make when recording a kit?

    Techniques Feb 2021
  • Techniques Feb 2021
Subscribe to RSS - Microphones / Miking