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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Samson CL7

    Capacitor Microphone

    This low-cost mic combines smart styling with a solid, neutral sound.

    Reviews Dec 2004
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    AKG C414B XLS & XLII

    Capacitor Microphones

    One of the all-time classic microphones gets a 21st-century makeover.

    Reviews Nov 2004
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    SE Electronics Icis

    Valve Condenser Microphone

    This strikingly styled new valve mic offers a sound inspired by vintage classics.

    Reviews Nov 2004
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    Groove Tubes MD1b FET

    Condenser Microphone

    This is a reissue of Groove Tubes' first large-diaphragm condenser, but with solid-state electronics replacing the valve to offer a more affordable package.

    Reviews Oct 2004
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    Pearl CC22

    Condenser Microphone

    This innovative rectangular-capsule design aims to combine the desirable attributes of small- and large-diaphragm sounds.

    Reviews Sep 2004
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    Soundfield SPS422B & SP451

    Surround Recording System

    This system can record in mono, stereo, or any current or future surround format — using just one mic.

    Reviews Sep 2004
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    Oktava MKL5000

    Multi-pattern Tube Microphone

    This striking new vintage-style mic from Oktava not only gives a great rock vocal sound, but also offers the flexibility of multiple polar patterns.

    Reviews Aug 2004
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    SE Electronics Z3300A

    Multi-pattern Microphone

    This new mic offers three polar patterns and a surprisingly high-end sound for the money.

    Reviews Aug 2004
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    Rode K2

    Valve Microphone

    Rode have built on the technology from their respected NTK to develop this affordable new multi-pattern valve mic.

    Reviews Jul 2004
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    SE Electronics Gemini

    Dual-valve Capacitor Microphone

    This impressive mic from SE Electronics uses two valves instead of the usual one. But does it actually make any sonic difference?

    Reviews Jun 2004
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    Rode NT2000 & NT1A

    Capacitor Microphones

    These two new large-diaphragm mics from Rode improve on their previous technology, offering a classy sound with exceptionally low noise.

    Reviews May 2004
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    Behringer B2 Pro

    Multi-pattern Capacitor Mic

    This entry-level, large-diaphragm mic has enough facilities to grow with your needs, and comes complete with case and suspension shockmount.

    Reviews Apr 2004
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    Brauner Valvet

    Dual-pattern Tube Capacitor Mic

    The elegant Valvet provides a choice of omni and cardioid polar patterns, as well as delivering the kind of transparent valve sound for which German mic technology is renowned.

    Reviews Mar 2004
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    M-Audio Luna

    Capacitor Microphone

    This affordable large-diaphragm cardioid mic benefits from an open sound with a hint of transformer warmth.

    Reviews Mar 2004
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    TL Audio Ivory 2 5000

    Valve Microphone & Preamp

    TL Audio's new valve mic and preamp package takes the unusual step of integrating the preamp into the mic's power supply unit. So why take two boxes into the studio, when you can just bosh and go?

    Reviews Mar 2004
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    AEA R84

    Ribbon Microphone

    This ribbon microphone design uses an exceptionally large transducer for high-quality performance in the modern studio.

    Reviews Feb 2004
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    Microtech Gefell M930

    Condenser Microphone

    This surprisingly compact large-diaphragm condenser mic shakes up the established competition.

    Reviews Jan 2004
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    Red5 Audio RVK7

    Drum Mic Set

    The excellent sound quality and rugged build of these drum mics belies their highly affordable price tag.

    Reviews Jan 2004
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