You are here

Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

  • link
    Rode buy Mackie pro audio studio live sound companies

    Rode acquire Mackie

    Australian & American pro audio brands join forces

    Rode have announced the acquisition of American pro audio manufacturer Mackie.

    News
  • link
    Rode NT1 Signature Series large-diaphragm studio condenser microphone

    Rode announce NT1 Signature Series

    Latest version of studio condenser mic revealed

    The latest NT1 offers the same high-performance specs as the 5th Generation version, and is available in a range of limited edition colour finishes.

    News
  • link
    Rode Wireless ME digital microphone clip-on microphone system camera interview content creation

    New Wireless ME system from Rode

    Transmitter and receiver feature built-in mics

    Rode's latest wireless microphone system provides content creators with everything they need to capture audio in front of and behind the camera. 

    News
  • link
    Rode VideoMicro II compact camera smartphone boom pole shotgun microphone with windshield shockmount

    Rode introduce the VideoMicro II

    Updated on-camera shotgun mic

    Rode's VideoMicro II builds on the success of their popular on-camera microphone, and features improvements that help to provide greater sensitivity along with lower self-noise.

    News
  • link
    Rode NT-USB+ condenser microphone vocal voiceover instrument podcast streaming

    Rode NT-USB+ microphone launched

    Now features on-board DSP

    Rode's latest USB microphone builds on their successful NT-USB model, and boasts an upgraded preamp and converter alongside built-in DSP processors and effects. 

    News
  • link
    Rode VideoMic Go II

    Rode VideoMic Go II

    New camera mic unveiled

    Compact shotgun mic offers a choice of analogue and USB connectivity.

    News
  • link
    Rode NT-USB Mini condenser mic.

    Rode release NT-USB Mini

    Super‐affordable USB condenser mic

    The NT-USB Mini, Rode’s new £99$150 USB mic, is a compact and affordable RF-shielded condenser microphone aimed at laptop- and tablet-based recording musicians, gamers and podcasters.

    News
  • link

    Q. Is battery power a bad idea for mics?

    My Rode NT3 mic was producing a nasty medium‑frequency buzz, and I eventually discovered that it was caused by a cheap battery. Taking the battery out and switching on my audio interface’s phantom power solved the problem...

    Sound Advice Nov 2018
  • link

    Rode launch their first SoundField mic

    New Ambisonic mic to cost under $1000

    Australian mic makers Røde have announced their first foray into the world of ambisonics. Under the newly...

    News
  • link

    Røde announce six new mics, Soundfield video mic

    Neumann M-50 replica announced

    At the Mandarin Oriental Hotel in Las Vegas, Nevada, The Freedman Electronics Group — home to pro...

    News
  • link
    Røde M5 small-diaphragm condenser microphones

    Røde announce M5 pencil mics

    New small-diaphragm condensers ship as matched pair
    News
  • link
    Rode SmartLav lapel mic

    Rode brings lapel mic to iOS devices

    iPhone accessory for discreet close-miking
    News
  • link

    Q. Can I leave my mic powered up?

    I've just bought my first mic, a Rode NT1A, which requires phantom power, and I'm wondering if there's anything wrong with leaving it plugged in with phantom power switched on for long periods of time?

    Sound Advice Sep 2005
  • link

    Q. What kind of mic setup should I use to record a choir?

    I have been planning to record an upcoming choir concert with a centred ORTF stereo pair of Rode NT5 cardioids...

    Sound Advice Feb 2005
  • link

    Q. How can I tell if a pair of mics is well matched?

    I bought a Rode NT1A a few months ago and I'm now considering buying a second one. How can I tell whether the two mics are closely matched enough for use as a stereo pair?

    Sound Advice Feb 2004
  • link

    Capacitor Microphones Explained

    Their Advantages For Recording

    Paul White looks at the workings of capacitor mics and discusses their advantages for studio recording.

    Sound Advice Feb 1998
Subscribe to RSS - Microphones / Miking