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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    Oktava ML52

    Ribbon Microphone

    A Russian ribbon mic brings this classic technology to a new low price point.

    Reviews Dec 2001
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    MXL 1006, 2003 & V67

    Capacitor Microphones

    Do these low-cost condenser microphones from Marshall Electronics' MXL range have what it takes to stand out from an ever-increasing number of competitors?

    Reviews Nov 2001
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    CAD M177 & M179

    Condenser Mics

    US mic manufacturers CAD move in on the affordable end of the market with two new large-diaphragm models, one of which offers multi-pattern functionality. Hugh Robjohns evaluates the M177 and M179.

    Reviews Oct 2001
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    Rode NT1000

    Condenser Microphone

    Paul White tests the solid-state counterpart to Rode's recent NTK valve mic.

    Reviews Sep 2001
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    XIX Pure 1 & Pure Valve

    Microphones

    Paul White tests two new models which make large-diaphragm capacitor and valve microphone sounds more affordable than ever.

    Reviews Aug 2001
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    Recording Acoustic Guitar Masterclass

    Mic Choices & Miking Tips

    While physical modelling preamps may take the hassle out of recording electric guitars, you're still going to need to reach for a mic when recording acoustic guitar. Paul White shows you how to get the best recorded sound, and offers a few of his favourite tricks of the trade.

    Techniques Aug 2001
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    Rode NTK

    Valve Microphone

    Rode have brought down the cost of their celebrated large-diaphragm valve microphone technology still further with their new NTK model.

    Reviews Jul 2001
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    Sd Systems STM99 Instrument Microphone System

    Trying to keep a microphone in the optimum position on an acoustic instrument is often difficult, especially when recording...

    Reviews Jul 2001
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    Antares ATR1a Autotune Intonation Processor

    The original Antares ATR1 made a huge impact when it was first released, making possible natural‑sounding, real‑...

    Reviews Jul 2001
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    Audio Technica AT3035

    Cardioid Capacitor Microphone

    A large-diaphragm Audio Technica condenser mic, with shockmount, for less than £200? Paul White rubs his eyes and believes his ears.

    Reviews Jun 2001
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    Mig Music XG Layered Dance Sounds Collection: Volume 1

    Yamaha claim, via their European web site, that over 45 million people now have access to XG sounds. This is not surprising as...

    Reviews May 2001
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    Soundman Okm II

    Binaural Stereo Microphone Headset

    Although the binaural recording technique drifts in and out of fashion, it is nonetheless useful...

    Reviews May 2001
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    Joemeek TB47

    Multi-pattern Tube Microphone

    Paul White tests Joemeek's multi-pattern contender for the valve mic heavyweight title.

    Reviews May 2001
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    Samson Q1

    Back-electret Microphone

    The Samson Q1 is a dual-purpose live/project studio mic that looks similar to many hand-held dynamic stage mics and, indeed, it's this type of mic that it is designed to replace.

    Reviews Apr 2001
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    Shure KSM44

    Multi-pattern Capacitor Microphone

    Paul White tests a new capacitor mic from Shure which offers a choice of three polar patterns.

    Reviews Mar 2001
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    Q. How can I record acoustic guitar better?

    I've recently bought myself an electroacoustic guitar and it sounds really loud, clean and crisp when I play it. Yet...

    Sound Advice Mar 2001
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    Neumann KMS105

    Vocal Condenser Microphone

    Hugh Robjohns auditions the latest addition to Neumann's renowned range of KM-series condenser mics.

    Reviews Feb 2001
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    MXL V77S

    Vintage Series Tube Microphone

    Hugh Robjohns tests the latest addition to Marshall Electronics' cost-effective MXL range. The new V77S valve condenser mic offers large-diaphragm, valve preamp performance at a very appealing price.

    Reviews Jan 2001
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