Mixers

Back in the pre‑computer days, manufacturers saw the need for straightforward and affordable mixers to handle the stack of electronics and bring it all down to a simple stereo pair, or even just a mono output.

Splitting out your stereo signals into separate Mid and Sides tracks can open up a world of creative options in your mix.

However much studio trickery is considered 'normal' in a genre, the unwanted side-effects of processing can rob your mixes of impact. But it doesn't have to be that way

Getting vocals to 'sit right' can require a lot more than setting the fader and applying EQ. We asked a number of engineers how they do it.

Engineer Matt Wiggins has worked with everyone who's anyone — and knows that he needs to be prepared for anything!

Listing of all SOS April 2019 articles with accompanying media files.

Dave Cobb's approach to recording is simple — but as artists like Chris Stapleton, Rival Sons and Jason Isbell have found, it's very effective.

In Part 2 of our Video Feature, Josh Giunta from GSI Studios moves on to the recording and mixing processes, exploring the fine art of microphone positioning, dealing with phase, and mixing techniques.

Catherine Marks trained in one of the world's most demanding professions — then gave it all up to make tea in a studio...

Prog-rock wunderkind Steven Wilson is using his studio skills to give legendary rock albums a new lease of life.

Audio & Video Files to accompany this month's Session Notes article.

Talent and hard work have taken Marta Salogni from dive bars in Italy to working with A-list mixing and production clients in the UK in less than a decade.

Having created the conditions for a successful mix last month, what can you do to fit your vocal in the mix?

A combination of modern technology and skilled engineering has allowed Chicago’s landmark festival performance to be released, almost 50 years after it was taped.

Once you’ve recorded, edited and comped your vocals, a little careful prep work could pay real dividends when it comes to the mix.

There are many jobs involved in large-scale touring — and established front-of-house mixer Bryony October has pretty much done them all.

Working with a producer and an ambitious timescale, our engineer planned ahead for the best chances of a good result.

Mixing an album can be more challenging than working on songs individually — but it can also be the most satisfying achievement for an engineer.

The cruise-ship industry is booming, and with it a number of career opportunities — for those who can meet the unique challenges of mixing live sound at sea.

Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.

Go-to producer for Taylor Swift, Lorde and St. Vincent, Jack Antonoff has the rare ability to translate wild experimentation into record sales.