Back in the pre‑computer days, manufacturers saw the need for straightforward and affordable mixers to handle the stack of electronics and bring it all down to a simple stereo pair, or even just a mono output.
I’m trying to drive my Rupert Neve Designs 5057 Orbit summing mixer for some transformer saturation warmth, but I run into digital distortion before the levels are anywhere near to clipping the Orbit. What am I getting wrong?
I recently rewired my studio and patched a compressor and an effects unit into my mixer’s master inserts. Both processors were set to work with +4dB signals but the levels from the processors seemed low, so I switched them to their ‑10dB positions and the levels seem healthier. Have I done the right thing?
One input on my Peavey PV10BT mixer is running hot and clipping. Yet, when I hit the Solo button it sounds perfect on the headphones. What is going on?
I've been wondering whether my Soundcraft Signature MTK 12 was a defective unit, because it has the aux outputs polarity inverted with respect to the main output section. What is the purpose of such a design choice?
However much studio trickery is considered 'normal' in a genre, the unwanted side-effects of processing can rob your mixes of impact. But it doesn't have to be that way
Piano Recording & Mixing Techniques At GSI Studios [Video Feature]
In Part 2 of our Video Feature, Josh Giunta from GSI Studios moves on to the recording and mixing processes, exploring the fine art of microphone positioning, dealing with phase, and mixing techniques.
Talent and hard work have taken Marta Salogni from dive bars in Italy to working with A-list mixing and production clients in the UK in less than a decade.