Mixers

If anyone knows about digital consoles, it’s Yamaha — and their latest range of mixers doesn’t disappoint.

I’m using a Yamaha EMX 5000-20 for live sound and I seem to be unable to get the foldback working for some sources, even though it works for others. Am I missing something obvious? 

I’ve read that pro gear should use balanced connections, but I’ve been looking for a mixer recently and find that most have unbalanced insert points. My interface uses balanced I/O, as does most of my outboard gear. What gives?

This compact console offers an enticing set of features for both live and studio use — and does so at a highly appealing price.

The stagebox/mixer format has become hugely popular of late. Does Behringer’s affordable take on the concept deliver the goods?

Could Radial’s latest processor add a little vintage sum–thing to your mixes?

Can musicians be trusted to mix their own monitors? If the system they’re using is as intuitive as this one, the answer might be ‘yes’.

With their strong live–console pedigree, Allen & Heath are hoping to tackle the burgeoning iPad–controlled mixer market.

The market for mini mixers may be crowded, but Kinsman’s entry offers an excellent balance between affordability and ruggedness.

The digital mixer market shows no sign of slowing down. We round up some of the latest options from the biggest players.

Mackie’s mixers have earned a reputation for offering excellent value for money. We check out their most affordable range to date.

Few small-format desks cram as many features into a portable package as this new model from Alto.

In the post-console world, some of us lack facilities we used to take for granted. These ‘Latency Killers’ aim to plug one of the gaps.

The market for tablet-controlled mixers is heating up. Has QSC’s new range got what it takes to fend off the competition?

Dynacord apply their typically thoughtful design to a compact desk, which could be just the ticket for small gigs and installations.

The XL-Desk is the first Solid State Logic mixer that can host hardware processors in the ubiquitous 500-series format.

Mackie crown their DL series of app–controlled mixers with this full–featured stagebox–format model. Find out what’s new in our exclusive review!

Digital desks are all well and good, but analogue consoles still have their place, especially for smaller gigs.

It’s neither cheap nor perfect — but there are still reasons to love this device!

Although control surfaces may not ‘add’ to your sound, they can certainly make working with audio an easier and more pleasant experience. But with so many different models on offer, it pays to read up on them before you commit your hard-earned money.

Allen & Heath’s Qu series goes from strength to strength, with the latest offering more I/O, more faders and more mix groups.