You can achieve a lot with just a computer and a soundcard, but when you want to accommodate external sound sources or record with high-quality microphones then you really need to add a hardware mixer to your setup. Here's how to hook it all together for maximum flexibility.
If you're tired of mixing on-screen using just your mouse and keyboard, then it's worth considering a hardware MIDI controller. But with so many different models available, how do you choose the one that's right for you?
We hear from more surround producers working at very different ends of the music business to see how they've created working surround systems, and how they make use of 5.1 at the mixing stage.
We consider some of the pros and cons of mixing in surround, and hear how experienced surround producers take advantage of the format, and tackle the problems.
Our series turns to the practicalities of setting up your own surround-capable recording system, and we talk to two radically different surround studios to see how they've coped — one at project- and one at pro-studio level.