David Bottrill’s vast credit list includes Peter Gabriel, Smashing Pumpkins and Tool to Muse, Silverchair, Rush and many others. When asked to pick a favourite sound from that catalogue, he chose the drone that underpins ‘Passion’ by Peter Gabriel.
Japanese artist and producer Taigen Kawabe is best known as the frontman and bass guitarist of boundary‑destroying psych‑rock band Bo Ningen, whose repertoire ranges from experimental soundscapes to guitar‑driven chaos and screaming.
Producer and Engineer Tim Bran talks us through his early career at Island Records, being invited to tour as a session musician, recording London Grammar and setting up his own collaborative tech and studio projects.
Dynamic Range Day was started by mastering engineer Ian Shepherd, and aims to raise awareness of the negative impact that excessive dynamic processing can have on music.
Eirik ‘Pytten’ Hundvin’s work with Mayhem continues to inspire producers, 30 years on. Two of the genre’s leading lights explain how they are taking black metal forwards.
American music producer, songwriter and multi‑instrumentalist Doug Showalter breaks down how he crafted the guitar sound on Harry Styles’ mega‑hit ‘As It Was’ in his Nashville studio.
Henrietta Smith-Rolla, known professionally as Afrodeutsche, gives Caro C insights into her musical journey, from her introduction to the music industry in Manchester, signing to Skam Records and becoming a BBC 6 Music DJ.
Guy Massey talks about his training at Abbey Road, how this gave him the confidence and experience to become freelance, and how he enjoys blending new technology with traditional recording spaces.
Mayhem’s De Mysteriis Dom Sathanas album is the cornerstone of Norwegian black metal. We talk to producer Eirik ‘Pytten’ Hundvin about his unique philosophy and the making of this genre‑defining album.
From his Sheffield recording studio Yellow Arch, producer, musician, arranger and programmer Colin Elliot has worked with an illustrious list of musical artists.
Using more than one mic on a source can expand your sonic horizons — but it can also lead to problems. We explain when multi‑miking is and isn’t a good idea.