Take one Bollywood soundtrack, add a Pussycat Doll and a heap of new instruments, and you have a recipe for a big mix. Peter Mokran was the engineer who cooked up an international hit with Jai Ho! (You Are My Destiny).
Why is Al James poppy and well-arranged track not reaching its potential in the mix, despite extensive EQ treatment and other processing? We dissect his original Cubase project to find out.
As well as having all-round audio engineering ability, a remixer needs to be proficient in remix-specific processes. We explore the essential software and skills.
For their fifth album, The END, Black Eyed Peas main man will.i.am took the band — and their long-serving mixer Dylan Dresdow — in a new direction, with stunning success.
The sessions for U2s No Line On The Horizon took the idea of spontanaeity in the studio to new levels. Engineer Declan Gaffney was the man charged with creating order from apparent chaos...
Beefing up bass parts played on guitar and importing GarageBand songs into Logic are among the challenges for Mix Rescue, as we add some spice to Adam Bevans mix.
Remixing is a modern phenomenon that has turned into a viable way for hi-tech musicians to make money from their skills. But how do you get heard, how do you land a job, and how much should you charge to do it? We get you started with the insiders guide.
Looking for a follow-up to her smash-hit debut album, Lily Allen ditched her many other collaborators to work mostly with LA-based producer and musician Greg Kurstin on Its Not Me, Its You.
Links to the MP3 preview and high-resolution WAV files that accompany the SOS MAY 2009 Mix Rescue article, for our newsstand/bookstore readers who do not have eSub-access to the main web article.
When Seal decided to pay tribute to classic soul records on his album Soul, he turned to legendary producer David Foster — and his right-hand man, Jochem van der Saag, who was responsible for mixing and much more.
Recording simple ideas quickly often helps you to capture a good, fresh-sounding performance — but it can also leave you with frustrating technical problems in the mix. This month, we tackle just such a recording...